Nook Noow
No Ok On Wo
O Ok No Now
Nono Kow O
Onon Woko
Noon Owko
Known Ooo
Nok-o Now-o
Won O’Nook
Own O’Koon
Knooow No
O Non O Kow
Onko Owno
Nono Woko
Nkoo Nwoo
Woon Koon
Koon Woon
________________________________________________
3 Things I Learned About America:
What Makes Us Great, The Luck of the Bowery, I’m Outta Here!
1. The 6 pack. You want a beer? Hey, why not buy six! Brilliant.
2. Batteries Not Included. We’ll sell you something but it won’t work till you buy something else. Genius.
3. Some Assembly Required. So we’ll make it as far as it’s profitable, then we’ll let you take over. You buy it, and it’s not even made yet. Perfect.
________________________________________________
3rd Movement of the Quartet for the End of Time
One bird
Flies toward
A window
One bird flies
Overhead
Circling, lost
Two birds
Their wings almost touching
Glide over the cemetery
A woman sits apart, her hands loosening handkerchief falling
A child wanders off and into the woods
An owl sits high in a fir tree and gazes over the treetops
The cluttering mutterers communicators set up camp in minds of lonely and compete in bicker whine
Where are the birds flying to? The Land of Birds, and the Land of No Birds
Keep climbing -- matter natter scatting thoughts wings dropping tiny bombs of meaning, meaning, non-meaning
An emptiness opens up
It is sweet and calm
But it is empty
Where the birds once were
Where they once flew
Not enough air to give lift
The chest slowly rising and falling even
Poems, tombs
Let me sing the song of no music
Of no birds
Let me sing the song of the end of time
Opening sounds like emptiness opening
The memory of a bird flying towards a window
The memory of a bird circling, lost
The memory of two birds, their wings almost touching, gliding over the cemetery
The memory of music
________________________________________________
Number of weeks in a year
Number of cards in a deck
Two times the letters of the alphabet
________________________________________________
Characters:
God
Child
Snake
Earth
Eternity
God: In the beginning I was thinking of something
Which rapidly disintegrated
Boy: Hello
Snake: Pleasant evening (Yawns)
Earth: Happiness
Eternity: Which dances
(A wind, a train, the theater turns inside out, we are on a cold deserted hillside, wet and slick with rain. The grass smells so fresh it’s decadent. Our characters are happy (or not) as they go on, which may be repetition (or not). They do not know they are characters even. We watch them as if it were a play, but, you know, it’s not, probably, because the actors aren’t aware they are actors. All we can do is watch them and enjoy the show and wonder how we got here. And is that so different from what we do, anyway, every day?)
Us (in revelation!): Apocalypse Eternity!
(and, need I add?)
The End
________________________________________________
can’t can’t
will will
want want
chill chill
all about
all aboard
shout out
word “word”
tight tight
light light
fight fight
might might
wuss wuss
puss puss
muss muss
fuss fuss
see see
pee pee
me me
free free
more more
pour pour
poor poor
war war
clear clear
here here
where where
there there
trick trick
click clack
clack clique
prick prick
moo moo
boo hoo
coo coo
you you
plan plan
man man
can can
ban ban
sue sue
clue clue
poo poo
who who
might might
cite sight
tight tight
night night
love love
prove prove
move move
groove groove
trip trap
snip snap
zip zap
crap crap
noun noun
ground ground
crown crown
blown blown
clap clap
map map
nap nap
whap whap
too too
choo choo
new new
dew due
reap reap
keep keep
leap leap
weep weep
blue blew
few knew
zoo zoo
true true
tip top
don’t stop
clip clop
chop chop
chin chin
grin grin
friend friend
when when
please please
bee’s knees
wheeze wheeze
please please
cram cram
blam blam
clam clam
sham sham
jokey jokey
hokey hokey
poky poky
okey dokey
hey hey
say say
day day
pray pray
God God
odd odd
sod sod
trod trod
blip blip
hip hip
whip whip
yip yip
party party
hearty hearty
tarty tardy
smarty smarty
key key
whee whee
flee flea
deedee deedee
tiller miller
filler spiller
thriller chiller
driller killer
whoopee who he
she be crazy
don’t see lazy
way be baby
grow grow
so so
flow flow
whoa woe
mean mean
seen scene
zine wean
clean sheen
hip hop
non stop
be bop
tip top
cloud cloud
shroud shroud
crowd crowd
loud loud
kin ken
bin been
tin tin
when when
how how
chow chow
cow cow
wow wow
move move
prove prove
strove strove
love love
mix up
picks up
stick up
dick up
4 who cares
3 be ware
2 stare stare
1 dare dare
fifty fifty
nifty nifty
thrifty thrifty
drifty drifty
up tighty
fight fighty
fit nicely
nice tighty
neizentighta
innalighta
frightasighta
enlightenplighten
what what
nut nut
but but
tut tut
butter batter
wassa matter
chitter chatter
blither blather
froth moth
cloth cloth
south south
mouth mouth
plight plight
bright bright
white white
blight blight
flim flam
jim jam
shim sham
bim bam
keep keep
steep steep
sleep sleep
seep seep
try try
my my
why why
cry cry
plaster caster
master master
blaster blaster
dizziz disaster
tractor trailer
factor failure
wailer whaler
nailer sailor
macho muchie
feely touchy
mushy mushy
hushy pushy
hasty hasty
tasty tasty
nasty nasty
wastey wastey
weave wove
dive dove
drive drove
move move
alli gator
later later
tater tater
alma mater
crud crude
blood brood
mud mould
Joe Gould
tra la
ta ta
fa fa
whoa wawa
stew stew
crew crew
few few
knew knew
repeat conceit
retreat beat
neat wheat
heat feet
train train
rain rain
pain pain
gain gain
pin up
chin up
wass up
toss up
come out come out
all in all in
shout pout in out
again again
again again
again again
again again
begin begin
aa jj kk
hh ll xx
mm nn oo
bb cc dd
ee gg pp
tt vv zz
qq uu ww
rr ss
ii yy
bleed bleed
lead lead
need need
seed seed
freak freak
bleak bleak
tweek tweek
creek creek
fun fun
run run
stun stun
gun gun
do do
pew pew
phew phew
goo goo
rock roll
takes toll
whole whole
sole soul
advise advise
device devise
entice surmise
surprise surprise
mirage mirage
garage garage
triage triage
rage rage
chef chief
grieve grief
believe belief
breath breathe
wail whale
sail sale
tail tale
fail fail
be be
me me
key key
zz zz
does does
was was
fuzz fuzz
cuz cuz
ship shape
trip fate
wait weight
keep sake
fuck fuck
cluck cluck
muck muck
luck luck
gold gold
cold cold
told told
fold fold
flim flam
tin can
slim slam
whim wham
vout vout
doubt doubt
tout tout
out out
freeze freeze
trees trees
breeze breeze
wheezewheeze
hot hot
not not
fought fought
what what
bought bought
taught taught
sought sought
froughtfrought
you you
who who
few few
new new
who knew
you too
true true
too too
tu tu
muu muu
frou frou
pooh pooh
clock clock
tick tock
shock rock
pruf rock
kind wind
find find
mind mind
wind wind
goodnesssake
bake cake
take fake
wake snake
hip hip
hoo ray
whip whip
fray fray
job coalpan
throb scrollban
rob soulplan
Bob Holman
________________________________________________
Stop in the name of love! The Supremes, baby --
It’s 8:30am and I’m launching from bed, E. 13th
& the next record is Funky 4 + 1 you could set
Your alarm clock by me stereo having made vow
Always Rock In The Morning my shrink convinces
Me to not have my girlfriend move in we spend
60 nights in row sleeping in each other’s arms 6 months
Together then Libby dumps me and the next night
Turned away airport gate trying for free flight to Europe
(“My boyfriend is from Holland...Michigan”) she runs
Into the ocean doesn’t stop in the name of ocean but survives
& schizophrenic that‘s not right I’ll change it as tragic train
Why? Am? I? Here? flowers to bring in everymorning walk
The dog, and on my way home buy flowers. Put the paper
In the elevator for my wife to bring up, and it’s just spring
So today daffodils and daisies for my Daisy. The connection
As Jack Gelber would say, or Einstein and Tu Fu, is: Happy
Birthday, Elizabeth. You are 59 1/2 todsay and officially
Retired. Instead we will buy 308-310 Bowery and build
A poetry club. Go for it, in the name of love.
________________________________________________
From the Balcony of the Hotel Amboisera, Asmara, Eritrea, 5 AM
The cock fights the sun
The dog answers
A goat
Under everything
Soft gentle closer
Gold bell slowly
Chiming to ear
A bell melting
Soft mallet strikes
Thin shell perfected
Centuries ago, technique
Of fire in ground smelting
A deep smoldering rich fragrant
Making that we have forgotten
Except for one thing
The sound of the nearing bell
Rooster Dog Goat
Hear it, do not know what it is
But we do
________________________________________________
1.
someone does something
someone else tells about it
2
someone has a purpose
someone else draws attention
3
someone preaches
someone else rousts the crowd
4
someone does
someone tells
5
someone leads
someone tells the leader
everyone else follows the leader
6
the teller does not lead
the teller does not follow the leader
7
I was very excited when my children started middle school
that their first assignment was to trace their family tree
they had to talk to their relatives and give dates, they
drew lines and charted out the families with symbols, arranging
history, even adding footnotes or maps of faraway places.
meanwhile in Gambia, sulea sussa (el-hajj papa hasan) tells
the geneology of the tribe, the family with the person for
a thousand years back sung to the linking kora and the wind
which carries the words in the air we breath
8
if you name a child after yourself or parent
other people can use that name
but you must call that child “papa” or “mama”
to show the respect due to the person
you named the child “after”
9
mohammed always gave it all away
but he gave the griot the largerst share
because unless he gathered the crowd
there would be no crowd
10
the only way to make a poem
is to tell what happened
what is happenning now
11
the moment is the poem
12
the kora leads and the voice tells
13
the detail is the poem
he wears a gold bracelet every Thursday after he sleeps
with his second wife, gold bracelet that reflects
the empty spot where his eye-tooth was before his
first wife knocked it out
14
see the girl with the red dress on
I am in love with the woman next to her
that is my wife, my marriage, my life
mother of my children, she knows me better
than she knows herself, I know her better
than she does. And there is no competition
spent all those years looking at her looking
at me
________________________________________________
-- for Rory Hanlon & Hugh Chuma Burckhardt
Once upon or, perhaps, Twice
Twice upon because the time it happened upon was First upon
And now, the time of telling upon: Second upon
But wait a second![JB1]
Upon your retelling, will you begin, Thrice upon?
As I proclaim straight ‘way in this Litigious Age disclaim,
Reassure for sure you have my ok to give away, in any way
Shape or form (beyond the norm), no permissions needed
For your Thrice upon Twice upon Once upon proceeded
May I get beyond upon repeated? To begin again upon
Like children --
(Because this poem is dedicated to children --)
The Children of the Future --
(But aren’t all children “Children of the Future”?
(Children come of age in the Future!)
Millennial Children of the Past
Because I have grown old or at least middle-aged, ruminating,
Waiting for Future
Waiting so long I am Past
And the children I am speaking of could be
And in some cases actually are my children
And thus they are the Children of the Past as well as the Future
Once upon a Twice
Twice upon a Thrice
2000 years upon a Paradise
Harry Potter Pokemon
Dreamt as child, but woke at dawn
To play the game called sell and buy
Bill to parents, mystify
Capitalismo?
Gee, watta gizmo!
Gotta catch ‘em all
Trade a Taj Mahal for a Wailing Wall
Australian Crawl to Carnegie Hall
Corner market Pikachu
Likitung and Raichu
By the sucking of my thumb
Come my Power Figures, Come!
I’ll send you off to Hogwarts School
And rearrange your molecule
Before breakfast! With a yawn!
I’m Harry Potter Pokemon
Ah, Boomers! demand your Peter Rabbit
Fight for Suess fix, “cat/hat” habit
Ban books and cards from the Library
Do not file under “Pokemon, Potter Harry”
Say I represent the Dark Side
What’s your trouble with the Dark Side?
Maybe I do represent the Dark Side
A boy of 10 -- tell me, where’s the Dark Side?
Sweet retreat from Columbine
Harry Potter Pokemine
And you see the kids my age
Devour my stories, page by page
Sure ‘nough pure stuff Can’t read enough
You dare rebuff? You blind! I call your bluff
Your Raichu evolved too fast
My Pikachu steady, ready, lasts
I ‘m Ash! Chief Pokemon Trainer
Auto-adults no-brainer
Jelly beans in every flavor --
Strawberry, curry, grass, sardine
Generation’s go-between
Let me say what I should scream
Kids dispassionate
Speak as they’re smashin it
Provide closed-caption contraption you better lissen to
Zoom boom bloom -- deja vu
Think brink -- the link -- the Truth, aloof
A step in several right directions -- Unburden your proof
pay yr dues -- show & prove
word is bond -- respond
pay yr dues -- show & prove
word is bond -- respond
Slouching pome whirls outta control
Too much to say for plot to hold
Your Kubla Kahn’s my Infobahn
Your Babylon’s -- my Amazon.com
Your countdown is what I count on
I pass on your past is what I depend upon
Once twice thrice upon
Child of the Future wakes at Dawn
Harry Potter Pokemon
________________________________________________
-- as sung by Papa Susso to Bob Holman
This story begins long long long long ago
So long ago that it was a place not a time
There was a man
He was so alone
The only person he could talk to was Africa
Luckily there was a tree nearby
Even more luckily behind that tree
That’s where his partner was hiding
All the sun and all the water were condensed
Into a single tiny block
Which the man planted in the sandy soil
He blew and he blew on that spot
Each time he blew he thought he heard something
What he was hearing was of course his partner singing
The man didn’t even know what singing was
Because he could only talk
He couldn’t sing yet
So he blew and he listened, blew listened blew listened
And the plant pushed out dark green
And began to twist and grow
A vine reaching for the breath
And stretching towards the song
(Because it was made from sun and rain, remember?)
So at the end of the vine that was the calabash
And the tree it was not a tree anymore
It was the neck and handles
That was when the man’s partner Saba Kidane
Came out into the open (but that’s another story)
And the breath and the singing and the vine?
Well, there are 21 strings, what do you think?
And now you say what about the bridge and the cowhide
And the rings that tie the strings to the neck
So you can tune the kora
Hey, what about the thumbtacks that hold
The cowhide taut over the calabash
And the resonator hole
Well you go right on talking about all that
I’m playing kora now
Next time I’ll tell you about the cow
________________________________________________
Person in first row says to person in second row
How much longer is this interminable show
Person in second row says nothing perhaps dust blows
Off, long past odor, this corpse in the second row
________________________________________________
Cheri: hi
Tom: o my god it's you!
Tom: how are you doin
Tom: did you just get home?
Cheri: modem...
Cheri: fine, how was bxville?
Tom: did you just get home?
Tom: bxvile was a total success, ty
Cheri: ty?
Tom: tanx you!
Tom: sd, do the intimite details of my dailiness truly intrigue you? not asked testily,
Tom: just curious
Cheri: they do, why?
Tom: it's an email thing
Tom: You've Got Mail opens soon, y'know
Cheri: its so funny that you call me h
Cheri: sounds like heroin and
Tom: you: Meg Ryan, me: Tom Hanks
Tom: and?...
Cheri: and
Cheri: and
Tom: heroin and hope
Cheri: a little bit mean but you're allowed to be mean
Tom: heroin and hookahs
Tom: no, I mean,
Cheri: Meg Ryan Tom Hanks????
Tom: it's a long ways and so many details left out
Tom: it's curious
Tom: they are stars of Honey You've Got an email aka
Tom: You've Got Mail
Tom: Featured on aol
Cheri: you mean that remake of
Tom: Times Sq
Cheri: I mean the sequel of that remake
Cheri: I FUCKING HATE MEG RYAN
Cheri: she s so wrong
Tom: did you know that Wm Honan came w/ me to Sarah Lawrence last nite
Tom: is Tom Hanks Mr Right, hmm?
Cheri: I didnt know that Wm Honan came with you to Sarah Lawrence but then again
Tom: heroin and halvah
Cheri: I dont know who or what Wm Honan & Sarah Lawrence are
Tom: heroin and hoopla
Cheri: so who are those ppl you spend your nights with???
Cheri: tell me B
Cheri: come on B
Tom: Sarah Lawrence: one of 7 Sisters, the female equiv of Ivy League
Tom: now of course almost all are integrated
Cheri: oh
Tom: The World's First Intercollegiate Poetry Slam
Tom: heroin and oh
Cheri: oh
Tom: in bxvl
Tom: where sl is
Tom: sl vs nyu vs bard
Cheri: who won?
Tom: Anne Waldman!
Tom: poetry won
Tom: a colleague
Tom: if I were yr boyfriend
Cheri: WOWOWOW
Tom: and you were my wife
Cheri: yes?
Cheri: curious
Tom: we would have dinner with yr colleague
Tom: Anne Waldman
Cheri: nice?
Tom: who seems to think i'm rather coolio
Cheri: what hard questions are there 2b asked on poslam?
Tom: is it important cultural moment really
Tom: where are the great poems
Tom: how does it differ from beats, besides marketing
Tom: can we go back to September,
Tom: or ahead to blank?
Cheri: why?
Tom: because the time in Canada
Cheri: OK: you hate the limbositutation
Cheri: understandably
Tom: it was limbo before
Cheri: so you want things closer or less close
Cheri: passive limbo
Cheri: now it's active limbo
Cheri: or some such
Tom: Perfect Title, may I steal (said he)
Tom: Active Limbo
Tom: It's active limbo because why….I must go take a pee
Can you answer the question: how did it, do you have an idea, it would help
Cheri: it changed cause you thought that I would be snatched away from the market soon while I needed you more
Tom: perfect
Tom: except
Tom: it gave me hope
Tom: and heroin
Cheri: hope for?
Tom: our living together
Tom: our love meshing life
Tom: sumpin like that
Cheri: I know
Cheri: you know I keep thinking about this
Cheri: obviously
Cheri: and I saw a th. today
Cheri: # 3
Tom: one of the two?
Cheri: preview
Tom: a trailer of the movie blockbuster soon to be released
Cheri: lol
Tom: a romantic interlude starring MR and TH
Cheri: yeah I did some screenings before to determine the plot
Tom: I'll bet those were hot auditions
Tom: so reality set in slowly after the cruel sun set over the Hudson
Cheri: yeah the guinea-pigs liked it and apparently market-research does have its advantages
Cheri: Banff
Cheri: Banff, baby.
Tom: Banff
Tom: baby
Cheri: good
Tom: The cruel Banff
Cheri: Lake Louise please
Tom: The rough Banff
Cheri: Please Louise turn squirm
Tom: Scram damn Banff boof
Cheri: Louise freeze these
Cheri: Assfuckin Banff!!
Tom: Wait a second now
Cheri: lol
Tom: kiss me now baby
Cheri: Banff is kaputt!
Cheri: kiss kiss
Tom: before we drown
Tom: In the Brutal Louise!
Cheri: the case
Cheri: I know English grammar theory much better than Canadian
Cheri: dont ask why
Tom: i must go take a pee
Cheri: rotfl
Tom: will you wait?
Cheri: hokay
Cheri: piss piss
Cheri: Pisses in the bushes in the trashbarrel
pisses in the bed in heaven in the beerhall parlor
maybe it’s a shit who gives a shit
Tom: he's back
Cheri: Tom pissed off the email
Tom: but the piss is long gone
Tom: in Lake Louise
Cheri: lol
Cheri: see this is why I'm reluctant to feed you Canadian words
Tom: poor Tom baby
Cheri: cause immediately you do some little wordplays in MY LANGUAGE damnit
Tom: would it be better if we were together
Cheri: better in what respect?
Tom: what are you afraid of?
Cheri: oh now you talk like this th. i met today
Tom: ouch
Cheri: afraid. lose control, cannot stop things,
Tom: that's what we've been talking about today, I thought
Tom: That there's no talk about our being together
Cheri: things just went to a different orbit after your visit and now
Cheri: we struggle to live with this
Cheri: and I can only imagine how hard this will be after our next meeting
Cheri: I'm really just scared please believe me
Cheri: it's not that I don’t want to see you
Cheri: if I was indifferent we might as well have some nice days
Tom: for me ( can I say that?)
Cheri: You mean I'm too self-absorbed?
Tom: we have gone as far as we could go
Tom: very painful
Tom: terrifying
Tom: as far as we could go, or at least as far as I could,
Tom: w/out actually doing something
Tom: having it be part of life
Tom: not a rupture
Cheri: you sound cranky
Cheri: i want to get to know all parts of you
Cheri: and you have ev. reason to be cranky of course
Cheri: and I'm getting on your nerves, I know
Tom: I think I'm too simplistic
Tom: will you help me?
Cheri: but that's OK
Tom: all true
Tom: let's start with this:
Tom: I love this
Tom: chattering away on im
Cheri: good start
Tom: words roil and disappear
Tom: etc
Cheri: but you want to see me and see me and see me and you cant see why I don’t want to see you
Cheri: cause you make so many accomodations, like you
Cheri: YOU SHOULD BE CRANKY
Tom: what did you tell th. about what yr afraid of (don't have to answer)?
Cheri: I told her that I'm so afraid
Cheri: of
Cheri: that
Cheri: my
Cheri: uhm
Cheri: father would CUP my breast again like he did when I was 5
Cheri: and my mother
Cheri: uhm
Cheri: would tell me again that I was lying
Cheri: no
Cheri: say lol
Tom: lol
Cheri: you are cranky
Cheri: you dont laugh at my jokes
Cheri: you hate me a little
Cheri: you think: why her goddamit
Cheri: I told th. that I was afraid of th.
Tom: I don't hate you
Cheri: a little you do
Cheri: that I was afraid that th. would force me to do things I couldn’t do
Cheri: that I hated the ethno-drums of other therapist
Tom: oy
Cheri: that I wasn’t sure what my problem is
Cheri: that if she ever said one bad thing about any man I liked I was going to stop th.
Cheri: and that I wasn’t even sure whether th. could help
Cheri: and then some anthropolgy stuff
Cheri: and she smiled
Cheri: and said: you're totally right. You should be careful.
Tom: She bought that?
Cheri: bought what?
Tom: what anthro stuff did you tell her?
Cheri: how th. wasn’t scientifically proven
Tom: is she smart enuff?
Cheri: how different things work in diff. cultures
Cheri: how afraid I am that if this aint working nothing will cause th. is the thing our culture chooses
Cheri: to help people out of diff. situations
Cheri: so I didnt want to diss th. I just want it to work
Cheri: She bought that?
Cheri: bought what?
Tom: SD?
Cheri: y
Tom: It's been very painful for me recently
Cheri: yes
Tom: I feel better today
Tom: This is a good talk
Tom: "talk"
Cheri: good
Tom: is it good for you?
Cheri: th > I have no idea how smart she is but she was smart enough not to corner me
Cheri: and not to make me feel like "unconsciously i didn’t want to do th." like this other woman said
Cheri: she took my concerns seriously
Tom: sounds good
Cheri: and said that I should stop seeing her when I felt uncomf.
Tom: v.g.
Cheri: and that she wouldnt think that this was something Freudian
Tom: no 5-yr old breast-cupping?
Cheri: (if I left) but just normal concerns
Cheri: no 5-yr old breast-cupping.
Cheri: so I said: really? really? you're just saying that aren’t you?
Tom: ......
Cheri: she said: no. We don’t know each other, it's difficult, maybe you won’t like what I say
Cheri: nothing complicated
Cheri: so I thought:
Tom: ........
Cheri: she gives me the freedom to leave so I can stay
Cheri: she seems very down-to-earth
Cheri: funny, normal
Tom: downside?
Cheri: like she could look at life from a non-Freudian perspective
Cheri: downside: she didn’t say anything that blew me away
Tom: worth another visit
Tom: did you cry
Cheri: almost
Cheri: but then I saw a package full of Kleenex on the table
Cheri: and thought: nah
Cheri: NOT ME
Tom: atta girl
Cheri: atta?
Tom: i luvs ya kid
Tom: "That-a girl"
Tom: "That's the girl"
Cheri: did you cry?
Tom: first time back from the mountain I cried all hour
Tom: which is now 45 minutes
Cheri: oh no
Tom: oh yes
Cheri: poor lil thing
Tom: that's right
Cheri: how sad
Cheri: why?
Tom: I didn't want to leave you
Tom: this has been painful
Cheri: poor little baby
Cheri: I'm so sorry
Cheri: really
Tom: yr so sweet to me, tootsy
Cheri: yeah but I make you cry how shitty
Tom: you didn't kick me out, baby
Tom: or did you?
Cheri: thanks for reminding me
Cheri: I didn’t
Cheri: I think you like closeness more than me
Tom: I don't want that again
Cheri: what?
Tom: next time I'll be prepared for distance
Cheri: what? the French & Indian War?
Tom: Bombs Over Baghdad
Tom: we can work together
Tom: and rule the world
Cheri: us!!! hahahaha!
Cheri: we couldn’t even find the keys to the apt
Tom: makin fun of me again I see
Cheri: no no!
Tom: must go go
Cheri: I'm as forgetful I always forget things
Cheri: don’t go go
Tom: may I come?
Cheri: please
Tom: you love it just like this, don't you, my tender heart?
Cheri: you have found me out
Cheri: I do
Tom: prickly ongoing nowness
Cheri: partly cause I 'm handicapped
Tom: ccumm again?
Cheri: partly cause I wanna gain time for us to not do something wrong
Cheri: I like it like this cause I prefer longing to closness and b)
Cheri: cause I wanna gain time for us to not do something wrong
Tom: I breathe love in yr ear
Tom: yr right, I like the closeness
Tom: or, say,
Tom: the promise of closeness
Cheri: and you should like the closeness
Tom: like next month say
Tom: why?
Cheri: it's good
Tom: and you?
Cheri: I like longing
Cheri: I liked closeness with my old boyfriend
Cheri: the daily routines, the shopping & cooking
Cheri: I really liked that
Cheri: but the fact that it would take a while, if ever, for us to have this
Tom: ?
Cheri: leads me to think that I like writing more than cooking & shopping
Cheri: but as I don’t want to fly around the world for all my life i want to change this
Tom: did you cry
Cheri: almost
Cheri: but then I saw a package full of Kleenex on the table
Cheri: and thought: nah
Cheri: NOT ME
Tom: atta girl
Cheri: atta?
Tom: i luvs ya kid
Cheri: did you cry?
Tom: i cried all hour
Tom: which is now 45 minutes
Cheri: oh no
Tom: oh yes
Cheri: yeah but i make you cry how shitty
Tom: you didn't kick me out, baby
Tom: or did you?
Cheri: thanks for reminding me
Cheri: I didn’t
Cheri: and I think that you are like a cat
Cheri: who wants to do their cat-thing
Cheri: snuggle and that
Cheri: and you don’t want to fly around the world on your own
Cheri: which is a good thing
Cheri: and which is part of your appeal
Cheri: cause I want to eventually give up longdistance life
Cheri: but now you are a little cat
Cheri: and I am a handicapped performance poet
Tom: meow, baby
Cheri: who is into longing and writing
Cheri: see!
Cheri: I love you still lil cat
Tom: gotta go get my bitter pill
Cheri: the Zoloft?
Tom: is it Sunday yet?
Tom: nah, zoloft ain't bitter
Tom: from the Heartbreak Garage
Tom: where all the Brokenhearted poeple go to park their cars
Tom: ily
Cheri: cranky old man
Cheri: I love you too
Tom: naw, just a lil pussycat ready to snuggle
Cheri: you really are a cat
Tom: bye bye all alone perfpo with sweet smile
Cheri: bye om
Cheri: ye tommo
Cheri: I love you
Tom: thank you for being tender w/ me today
Cheri: sounds like I'm usually not
Tom: no, it's different somehow
Tom: do you feel it?
Tom: at all?
Cheri: mean
Tom: cornered
Cheri: I dont know from what it would be different
Cheri: I feel good about things
Cheri: I think we'll handle things OK
Tom: our situations aren't the same
Cheri: so?
Tom: that sounded angry
Cheri: not angry
Tom: SD?
Cheri: b
Cheri: yeah you have to go
Tom: how'd ya know?
Cheri: a reason to live with you to get enough of you for once
Tom: mindreader
Cheri: just blackmail me
Tom: bb baby
Cheri: b love
________________________________________________
for Steve Cannon and Wynton Marsalis
In blue flat
sound sure don’t
hurt nobody body
blue in ear
you here
uh-oh blow low
stir’n’go
keys smoke breeze
weave slow slow
what’s he falling for for
can you feel it more more
under park gate
live bait won’t wait
mmistake in loving you
who’s business say I do
hafta go yes no
back bone calico
in a day
in a blue flat day
change the way
you gone away
what I say
you gone away
Very late night loisaida
conguero bop
bopboppa tam de tam
hey bass where you
running from to
mighty d snares it (you)
on the side of the wall oo
world’s smallest choir rockin time
world’s tiniest prison prism nickel dime
get out the tunnel
muy mucho avenida d
that’s it, escape artists paint black
turn music headlights off back on (you)
Brass so red it coppers
the truth’s truths
march down the aisle
up the mountain
sing swing swung
my friend swung bring
half turn one escape step
towards your lips my manuscript
tender tremolo flow
oooooooooooooooooooooooooooooooo
the way home follows you
oooooooooooooooooooooooooooooooo
Gone fishin
go on with it go head
we know what you’re up to
and it’s fine with us so
you just go on ahead with your bad self
we’re all ears for that shit
Groove whip
immediate backlash
keeps the pace in place
bleeds the sharp beat
cuts off that whiplash
that backlash smash light
the echoes echo way back in
the ball drops low horizon
cherokee knoll you don’t
know what love is to know
meaning blues’ blues meaning
No mistake loving you
love knows no mmistakes and forgives more
so sorry these blues for you
sad news wraps me up
suffocates me up
no, no mistake in loving you
Green chimney
first cook it
then toss it
then dry it
then fry it
then will it
then chill it
then beat it
then knead it
then stew it
then feed it
mm mm mm
Dis appearing
where the music go?
blow low the draining beat
keeps the spin on
the sound but not the yes no
not the yes tape clarity mistake no
ging gang gong
where was I going
I was so very very you
I was gone de gone too
Gotta end with some blues anyway encore
oughtta be oughtta be the way it oughtta be
only you speak language mountain
the heart, my manuscript, is not alone in desire
fire in the choir requires the chorus
sound bout town messes gone fishin
flagrant unflashy flawed and flawless
keep it comin like nobody’s business if I do
that tiny hat on a great big head
a mute lid and a tambour skid
whatever you say I say that’s the way keep it up
up and cover the unrequired
the transmission rock it roll it
keyed in the stall
parking in lieu I will bluntly
now shoot the leg of truth
and my dear my dear heartland
all of us the rest what he fell for
say no more
Coda tale
where was it that it took me takes me
leaves me back with it morning like
it never happened roll tremolo flow
keep the head valve working ocean tide
back where I am you still gone
who’s the one hears my song
keeps on keepin on
passes it along long
________________________________________________
My Oral History is tremendously focused in a logical fashion. I’m writing everybody’s biography, including God’s.
I’m writing primarily for my own amusement, as I happen to be the only Joe Gould in this solar system. By this don’t mean to exclude the possibility that there probably are other systems full of Joe Goulds.
________________________________________________
Reesom Haile says
The last two
lines of a poem
we call the Whip
Lash the Whip!
Or, in Tigrinya
Iti’ire,
the Bitter One
________________________________________________
There were three
of them
Mom Dad Dad
They were young, they
didn’t raise me
The one I knew the least
did the most
It makes me think of love
I’m from Ohio
Once I told my mother
you married him (my
Stepfather) for his money!
(She didn’t want me to date
Judy Jeffries, white trash, other
side of the tracks)(my seventh
grade girlfriend)(I was a virgin till
the summer after my freshman
year in college) (Never say that!)
I’d take it back, she who did the
most could never leave nor protect
Cut! Rewind! Where
do the parents end and I begin my
Mother was the baritone sax player
in the Harlan (KY) Green Dragon
Marching Band they had to put the
horn on a little trolley it was as tall
as she was 5’2 Sally Ruth Lewis
Geller Holman Schoenbachler
married the only Jew in town as
has been well-documented I was
born Geller adopted Holman :
To My Parents
where would I be without you
space
blowing my nose through a flute
standing on my head do I think
at my age it is right my beard
turning white seeing you
through myself
with my daughters I want
must write great Italian Mama
poem, the Nuyorican Mamacita
the Jewish Ma the Mornbread Mamaw
Daddy
where have you gone all my daddies
washed to sea goodbye goodbye
my mother doesn’t live in a trailer
But she does live in Florida
married to a good man finally
who treats her right relates to me
as all my fathers with distance
and a lack of approval I will raise
myself from the lack of it hello
I will say to myself
hello hello to the parents
who will ever never know
________________________________________________
I never felt comfortable anywhere.
Nowhere but Arkansas.
The discomfort was a source of energy
for me, and still is. More than
a sense of antagonism. What can
I get from this?
What can I learn?
What can I stomach?
What can I take in?
What can I not take in?
What can I use?
Moving has always
been a stimulant.
By the time I’m adjusted,
I’m bored. Nothing
ever falls into place.
As soon as things fall
into place, you
dislodge something. I can’t
tolerate the comfort
zone. It’s part of the discourse.
(from an investigative poem, “CD Wright”)
________________________________________________
How to Remember
middle desert south Dekamhare
scrub cactus red blossom cactus
hidden between road and rugged hill
tank rusting into landscape, fitting in
memory tree memory rock memory tank
Segenietti Cowboy
10 head brahmin bull left
boy of ten with staff right
we’re on bus passing through
he stops, places right foot on mileage marker
leans back, nods
How to Get Money
Fifteen women in white
gabeys by the roadside
Bouquet of flowers in one
hand & the other’s outstretched.
________________________________________________
She thought she'd solved
Him like a Problem
A book, an inscription, like a wisp
Of smoke casually crossing
The moon. He took the book, its wrapper
Falling off like a robe covering
The sea. Enchantment's double, she
could take it and disenchant, leave
Him as he stumbled back
Into his childhood. The way her breasts
Pushed out at him, forcing him back
Step by locked step, while his desire
Locked into her, a beam electric blue shower.
And when she was gone she was gone
She was gone all over, rocks and refrigerators
A cellist forever replacing string after string
In the jet hangar, down the supermarket aisles
In the terror of night she was so gone
A blanket shredded and wrapped, a mummy
Bound to itself with heat and a heart
That was the loudest thing, the alarm
Was set off she was gone the air tactile
He was a burn victim and sound was touch
What was it that made him finally
He was coming to, his senses were coordinating
His nose back on his face, good skin all over,
Tongue lushly filling the center of his mouth
A good drubbing, a processed word cranked
Over to the dry cleaners for some advice
And dry clean clothes. It wasn't till he forgot
The book that he remembered and how he got
Her back was he pressed his lips to her inscripting
The moon again, the sea slowing in mid-wave
Whatever it was she was there
Until he started to actually read it
Something she never thought to actually read it
And as he read she materialized, a poem is meaning
Something, meaning immediate, a plot she had thought
She'd already taught. She'd forgot. She gave it all away
Too many too often this time no backsies
Dressed up for dinner, ready to sweet
The phone begins to ring its passion dance
The story unspools, the phone cord wraps
Her arm a bracelet, her necklace, mask
A rug to roll around in. They were words
But they were set free. They invented a memory
So fulfilling her birth records evaporated,
Hate would have but didn't and love
To her this game was to stay but fractured
Like money you save and should have spent
It's like you give it away but you can't
You have to keep a copy of your love
On the disk at the printer to bind
O, sweet going to love him now
Love her now that they never met
A book at the library, nobody will
Ever check it out, music and a coat of arms
________________________________________________
Like four heads from school came to
support a brother, I sold
four books, not too
many tongue slips or stutters,
read some new, old and older,
got love from 3/5ths of Universes
besides Willie. It was a good night
for poetry, and I'm sure it was a
good night for family, too.
Later,
John Rodriguez & Bob Holman
________________________________________________
At Fourteen I Could Paint
At fourteen I could paint better
Than Leonardo Da Vinci
So after that I could dash
It off to prove I could
And then paint myself in
A motherfucking wig
Put Paint On Tongue
I’ll show you
My mother is the sea
She heaves under the white foam
Impressionists: Lautrec, Van Gogh
One quick look a study
I aint autoretrade, I’m bored
In it, of it - it’s a
View familiar...
That way Barcelona, I take on
Manet!
My park benches are better
Than your park benches
Look At Me
I look at people
I paint them
Looking at me
Valesquez Nailed
Sometime in the Fifties
I will do a whole series
“Las Meninas,” here I come!
At fifteen he pouts at me
Because I paint better
And soon I will lose my virginity
His kisses inspiring me to cum
Rembrandt Coupe
In 1900 the future
Opened up its arms
I invented the car
And Rembrandt
Feeling The Paint
My friend Carlos, I loved you
You must have loved me, even
Though you didn’t know
And you died before you did
But I will keep your secret
El Greco Was Cool
He drew down
I draw up
Make it look down
Sit on a bench
Wait for time to catch up
Virgin No More
Here is a room and a man and a woman
I paint I paint a ghost
Josephina, kiss the paint
Try on the clothes of a woman
Try on red
The Decadent Poet
The decadent poet will write this poem of drawing crosses
Stay in a cemetery
Smoke pipe, drink decanted red wine
It is Carlos and Ramon
And Charles Baudelaire
My Father
My father was not my father
I was a joke for him
Let me tell you about
Love upside down above
Big Mama
My mother was of the large size
I could paint her holding me
Before I could hold a brush
And was famous
Book Cover
Take off your clothes
I will make a book cover
And put a photo of me on the back
To make sure it sells
Ser O No Ser
The young painter
Unconsciously sails
Off into the unknown
I am unconsciously drawing this
With charcoal that sticks to my fingers
Gets under my nails
Number Four, Four Cats Restaurant
They give me free lunch
Their food is bad
The coffee’s good
People can see my profile
And you People of the Future,
Look for my profile
On the menu I drew for
Los Quatro Gatos
La Chatte
She will become my blue period
Now she stands there unconcerned
Put in a cigarette. There.
Embraceable Me
Arms around orange
And lines straight to the ground
You’d never know he has a hard on
Paris
Thus began my blue period
Every worm on the boulevard
Is in love with me
Man on a Mug
I am working hard now
On my signature
Also, the oysters and lemons
Signify my sex
The white shadow is what
I fear most
But will not admit it
Except to paint it
L’Amour Fou
I want Margot to know
The blood of my love
I hope I will not hope
When I eat her up
And her breasts will
Slight Curve
No one notices the Slight curve
Of Margot’s belly except the girl
It makes hot I will paint her next
Nakeder
Instanter
Getting It
Blue Ampersand Naked
Old
Blue naked ampersand old
Words for Guitar
You try this you try that
You can’t even read my handwriting
The song I sing you don’t know it
But my sensitive voice will
Lull you to love
Lull you
Lull you to love
The Crazy
I’m quite attracted to the crazies
I am one of you
My pen takes its own life
There are no others
Blue
Blown bit by bit to bits
Biting her vein one morning
While she slept the rooster
The terraces of Barcelona
Of course I know the red will
Seep will seep the sleep
But blue will blue to shape
The Same Guy
It’s impossible
The suave Sebastian
And the comic
They are both tragic
Only my eye can see
My Other Eye
With my other eye
I am looking at you
Inventing Cubism
I got it on with B
We invented C
Horses
By myself
I am a horse
Though what you see
Is a shape
Called man
Faux tendresse
I will invent quatroism too
I will invent sadness
I will go to sleep
Only after everybody else
No one but no one
Must ever see me dream
Big Grey Meninas
Every morning I wake up
Give myself a big kiss
And paint a masterpiece
Then I have a coffee
Who Is In The Mirror
I don’t know your name
But you could use a shave
El Perro
The dog is a white shape
Beneath the light in black
Going out the door
Dog white shape
Beneath light black
Going out the door
Can of Green
To much green
You can buy it at the store
I‘ll sell it to you
Please go now
Just Enough Green
Oh, you are back
Hold this Brush
My love
Will you
Hold this
Brush in
Your mouth
While I
Thrust the
Canvas up
And down
Thank You
Thank me
First Thing I Learned
The focal point
Is off center
But I could never
Paint what I was
Not painting Valesquez
Nailed me
I creak meat on hook
Josephina!
You were so patient once!
Some Other Painting
Of course I will marry you
As soon as this one is finished
The Miracle of Triangles
Is they never wear out
Room Full of Blues
Room full of me
Get Back
Take the fucking teapot
And leave the fucking wine
And lie down naked on the red stone
And would you care for some wine
Study: “The Wax Window Series”
It was then, at ten am, that it came to me: I began (or could begin) my wax window series. A train whistle, a starter’s pistol, a crack of thunder and lightning, these are typical, so familiar and might I add boring, we should have sex first and then I will continue describing how my series, “The Wax Window Series,” came about.
More Than Anything the Church Has Turned Over
So much desire to be desired
I can finish it tomorrow
After I climb the steeple
And muffle the clanger
No More!
No. More.
These
These would look good
In the living room
Over the sofa
Studying the Ghost
I could get closer
But the paint sticks
To my nose
My Nose
Have I told you about my nose yet?
It is not, for example, in the center
Of my face. In fact, it is not
On my face at all.
Sudden Lust
Here dance the flamenco
On a cork
And later that cork
Is all you will wear
First Paint the Cork
Then use the cork to paint with
Then paint with the cork
Then put your nose back on your face
See if I care
Running Towards Death
They call me genius
But I cannot confront Death
Don’t you know, my loves,
My sandals, my sail, my sad --
All I paint is Death
The Faceless Pianist
It’s the music, Stupid
And the dog
And the glasses on the guard
As they fog from the heat
Generated by her vagina’s reaction
To my kiss
Rock Bird
Bird lands on rock
Tower lit up sings up
Makes love with the bell
Peppers the minaret
The marriage of Death and God
Words Give Life
Names demand justice
Violins underwater
My sisters are the rocks
My eyes on the dance
Give Death my best regards
And Then?
I thought I’d jump you
Hello
A Little Rain
I felt a little rain
And the Fawn said,
“If the old gods could help me now,
I’d buy one of your paintings!”
Skull on Book
I’ll read the skull
I’ll fuck the book
Laughing Cum
Franco Fartface
My cum becomes a god
You worship
Frugal Meal
I’ll put my arms around you
My sweet
And tonight we’ll eat love
Don’t Talk!
Please don’t talk to each other
I am trying to draw you
Talking to each other!
Bull in Mind
I paint whatever
Runs me over, Lover
Smoke For Breakfast
What comes out
Must go in
Put it in a what
What do you put it in...
Put it in a ...
What comes out must come in
Put it in a
What
Put it in a door and pull
I Know My Work
One hand under sex
One hand on the work
Brush brush brush
Moving Sand
Reverdy makes me cry
From joy jazz sea
And takes me far
To the Beach of Youth
Where my thoughts cram down
Like a sun
And as a last resort
A secret stream of sacred
Manliness
Covered in orange
You again ampersand again
I would make love to you
But I am
________________________________________________
Didi Susn Dubbelyew
Michael Slater
David Herz
Yuki Hartman
Rose Lesniak
Bob Holman
Barb Barg
Eileen Myles
Sara Miles
Shelley Kraut
Gary Lenhart
Steve Levine
Simon Schuchat
Bob Rosenthal
Camera: Chassler
________________________________________________
I finished the book, I think I mentioned, and so I picked up the next book. I had been feeling in the long long book, which wound down perfectly to the beginning, as if it were part of other books by the same author. In all his books, see, I had had to look back at earlier passages, flip through the book till I found some fact or description that I couldn’t quite remember, or that I couldn't quite believe. but at the end of the longer book, I felt like looking back to other books, as if the books were interlocking.
When I opened the new book, I was not quite stunned to see that it began immediately after another book -- not the long one, but the one before that, and in fact was back in the same hotel. That would be a hotel I would like to stay in, I thought, and out of this desire came a series of questions.
If I were to show up at the hotel, and call you, what would your reaction be? This might be touchy ground here -- I assume that our love is real, and that it fits into your life as it surges around and dances with our love (to our love? like music?), but of course one of the hallmarks of our love is that if need be it will stay put and not interfere with the schedules and rigors and dailiness and requirements of our lives.
I remember when you came to N and stayed in Chinatown after you broke up with P. That was a wonderful visit, and that room with stuffed animals and a dog in the hall and naked in front of the refrigerator and tiny lunch in the garden -- well, you get the picture, and, as usual, I am happy to drift into the past, whereas you like to stay in the here and now. What I'm getting at is that you just showed up, and a while ago, when we had contemplated spending some time together, and then it didn't work out, you mentioned that you wished I'd just come over to B, and I certainly wished that.
Which bring me to the hotel. As you had a room where we could stay, I'm wondering if I could find such a room. This is like the Hotel I am reading about, and it seems to be the author's purpose to turn the desire for his lover into the desire for the place which would allow the lover's return, a place where love could be. Is this clear?
So another question would be, do you know this hotel? Murukami generally calls it the Dolphin Hotel, but it could be a room not in a hotel or a hotel with another name. All I know is that I hear you calling me, and I want to answer, but to do that I must find the room where love is not in the corner nor is it something to dance to but is the room itself. If you have any ideas -- or any idea what I'm talking about! -- I'd appreciate your sending me the phone number/address.
I have many other questions, primarily to do with time, but they must wait, as I am suddenly very tired.
A hotel, or room, then! I will go there now, and wait for you to tell me where it is. Don't worry about me, or think ill of me, or in any way be concerned about or for me. It is where I want to be.
________________________________________________
You can cry now
This is a sad song
Out the window
Over the miles
Look, it's your hometown!
This look is your return
Even though nobody's home.
Some return. Some river
With no boat.
Don't tell me about it.
Don't tell anyone.
________________________________________________
Through the mandhara of your eyes,
dear Poet
I see each second of eternity pass, frame-
by-frame, over Sana’a
A Shadow constantly seeking its Object
Through the mandhara of your eyes,
dear Poet
I see the slow making of a City,
the slow making of a life
Here in the dust cloud
we call Life
Figures call from corners
“Turn this way!
Turn that way!”
Turning the ground
into the dust
We sift for memories
Through the mandhara of your eyes,
dear Poet
The revolving figures freeze mid-
dance, one leg off the ground
This is the Past
You are six years old
The name of the City is “Wonder”
You can return here if you wish,
dear Poet
You can start the dancers up again,
join them,
Leave us to watch you
Through the mandhara of your eyes,
dear Poet
Through your six year-old’s eyes,
we see Sana’a rise
A City slowly lifting, rising
not to the sky
But to the word “sky”
Not beautiful but flashing
like desert lightning
The word “beautiful”
Wee see the Past through the mandhara
of your eyes, dear Poet
Its name was “Sana’a”
Its name is “Sana’a”
The name of the poem,
“Sana’a”
________________________________________________
There's No Big Message except hope you've had a good time while reading this
While somewhere the Great Novel is being shredded
I must stand up and say my piece
Or at least a piece of my piece "Shredded Peace"
I will never sit in that class again, a stone
Eating away at the heart of existence
Plenty of homeless people want to read my poems
They are lucky I stand at the newsstand
Cursing the politicians and making faces
Maybe all I'm saying is it's a real job
Being unemployed
________________________________________________
Sixty candles
Make a lovely light
But not as bright
As your eyes tonight
Sixty candles in my heart will glow
Forever and ever
For I love you so
The Crests
September 6, 1940, 7:40am
“as sun’s rays warm the earth, fog lifts a poppy
pod bursts
directly on the antipodal latitude that demarks Outer
Mongolia & Manchuria.”
You are born.
7” TV monitor, it’s on already, just walking
between the painting and the intercom, Darn,
missed the beginning! drawn in, looks like
Home video of Dorothy (your mother) holding Sophie
(your daughter) except Uncle Ray (your uncle, sort of)
is played by Lester (your father)(Daisy & Dakota behind camera)
Granmaw Means had the means but
Granmaw Murray was in a hurry
and the infant (2 weeks old) is played by you
hmm
might as well watch this program for a minute
ochre scarlet turquoise
orange lime indigo
sausage blips a tubular sea
float in time, these mouré lacustrine cities
Newscaster announces Betty’s appointment to movie theater
refreshmentcounter candyseller Bloomington Elizabeth hatchecker
Chicago it’s like somebody else has the zapper phone rings the zapper
here click clicks
Music of the party of the poem cannot be built but written played sure
you build it like a painting family life guess I see some of that
lit by cakes of many colors all the grandparental motifs Lisanne
baby due in February corner of 12th Street & White
and Moment of Oneness as sung by the great Dembelle griots of Burkina Faso:
A marriage two young people didn’t feel young at the time but looking at the photos now young is what I’d call em zap it’s yr birthday today
Forget to say happy birthday then zap back to baby sitting up as parents freeze zap child grows up as parents freeze it’s a pretty good trick they do it in post
a great special effects on the new paint software for your new computer
that your husband forgot to buy you for yr birthday
Sixty candles
In our hearts glow low
As long as Roz
Breathes with the golden bow
(Take it, Roz)
Ya ya the oral tradition is a way to give praise to someone without humiliating them totally
And now if I keep going on like this/ you'll have a first hand experience/ of why the oral tradition probably died out in the first place
Or maybe tonight we'll survive it revive it make it live it pass it on and leave this party humming hmmhmmhhmm
Ooo I think we've now established the fact that tonight's a praise song for Elizabeth Murray
So I guess I can stop this singing that is if you call this singing though personally I just call it "Reading the Poem"
And Elizabeth never stopped me from reading my poems in fact she's always encouraged me perhaps to change after tonight which by the way takes the place of the Christmas Eve Party
Sixty candles
In my heart will glow
Forever and ever
For I love you so
Ok grand finale time let's dive into an Elizabeth Murray painting c'mon
C'mon! Dive in a cup! You dive first. Ok. I'll jump first dive head
First into swirl whirlpool I dive you paddle with one of those spoons
She does and we'll not escape (Chorus: no we'll not escape) (the call & response portion of the oral tradition) we'll not escape (Chorus: no we'll never escape) we drown in art
in an Elizabeth Murray painting, not a bad way to go, as the oral tradition makes
a comeback thanks to the poetry club I'm starting on the Bowery currently looking for investors to go in on Real Estate for Art New Model Capitalismo gee what a gizmo
if interested see me after party meanwhile we're all dippin in the cup kickin in
the cups (meanwhile kicking in the cups) we give praise Oh yes praise
hey ho I do love this griot job composing praise poems is as easy as saying Elizabeth Murray totally great artist Dr. Elizabeth Rose Murray we are drowning in your Art and handing over prizes doctorates presents awards flowers love balloons for what you give us is Incalculable and all we do in return is praise best we can humbly means
Every little piece of the big painting had been scraped back reworked fretted over and slashed turned over left alone scathed scorched beaten torched pacified fed perked up in a sexual way invigorated slapped around and left up all night to fend
She works like that opera where the orchestra is drunk and the conductor is running around crazily the ladder is not on fire it is fire and the painting is called
Love Bomb Tourniquet
I cannot imagine therefore I am Blip bliss times two
New not anything ever simplify ghost stutter
Flit flat damp dump Cezanne mercy
Tourniquet Bomb Love
called painting fire is it but on not is
a ladder round the world
Sixty candles in our heart will glow
Forever and ever
For we love you so
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IF ONLY I’d spent a little more time starting poetry record labels and a little less
Time playing pinball
If only if only
Wins the Worst Word Couple of the Year Award
IF bad enough, such regret there in a couple of letters
And ONLY, as in alone, lonely, sad sad sad
Another e.g.: BE + RATE, BE not bad by itself but completely sunk
With the addition of RATE, flagellate
To remember silence and a milk shake in the middle of the afternoon
Nobody writing the great poem about depression
Always The Depression
Sometimes it’s just depression
Poor everyone and our struggle with the beautiful night!
It is 5:30 as usual right before dawn where the w upside down damn
Below the CD of Apollinaire saying THIS so many times
I can go back to sleep and curate Peoples Poetry Gatherings in my dreams
Like uh sugerplums the IDEA of eating
Is better left an idea racing round the memory
Rosebush and name in concrete tears as the book ends
IF ONLY the poem had led the way instead of being the way!
And to you, my great fan, I leave my great air conditioner
Bill Knott’s bedroom in Chicago as opposed to Boston
As opposed to Paris a burial ground of coke cans and miserable aborted poetry
Only Coyote cackles at the so-called President
I just accept it shot full of unacknowledged rage and assassination by poem
My allergy’s back and you’re gonna be in trouble
Hey na hey na my allergy’s back
Sung to a kora, in bed with some man’s hairy back, this just after
They recalled the copper from the pennies and the steel
Wooden whistle in the Little Miami River’s banded water snake population
Early it is 5:36 in D’jma El F’naa, Marrakech the woman pulls bread from out
Her skirts and I’m harira gruel on my way to the drainpipe in Germany
Where the Canadian librarian sang No man’s an island with a woman in his arms
The day the day wasn’t and the stoop at 101 St Marks
This too is ottava rima, a play in verse, clobber me with possibility what
We did what we didn’t do,
If only if only
________________________________________________
Now there are two koras uhn huh!
They are talking to each other singing saaaaaaame song
two parts one song 42 strings
You can hear the words even though no one is singing, Listen
Two koras make a river
Kora sound makes a river run ummmm
On the boat the calabash boat the view is fantastic
Float back to the river’s beginning uhhuh
Ok, now let’s start the story.
Ready?
Not ready to start the story but how about the song?
Not ready to start the song but how bout the float, the river, the boat?
first song sings for
The second and in singing for becomes the story oh
Sing for the second the other the third with ears, the partner
The moon, the river with ears moon reflected in water, Listen
Hey there for a minute it felt like
It felt like we weren’t making music
We weren’t playing it was music playing
Music was just playing itself
Music, it was making, it was making us
Making us up, can you imagine
Can you believe Can you imagine Listen
The clouds, they hold the rain you know
What surprises me is when we hear two koras
Maybe balafon and see clouds that hold rain
And then it is Dana who steps in!
Dana, Dana Bryant will never guess these are clouds loaded
Loaded up with rain the way the kora ahhh
The kora holds the music
The music ahh ahh holds the words yes yes
The words that make us up as we go along
Kora Boat River Cloud Rain
Papa Susso Sunkung and Alhassan
What more do you want
What more than two koras making rain
So we can get out of the rain without getting wet
Talking talking ahh ahh
Koras in conversation
Not about music just music
Not singing just walking
Walking on river floating flow
Listen that is singing now sing and flow
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Song of Africa’s Return to Africa
Never left...
[land land]
...my feet never left the land
Swim, Crocodile!
Another story
[Oh, not that story again!
[OK, the other]
OK, then another]
(repeat)
(Rock (Crocodile); Cell phone,(Crocodile))
________________________________________________
Stravinsky’s Three Pieces for Clarinet Solo
I. Sempre piano e multo tranquillo. Preferably Clarinet in A. = 52
Gotta start somewhere might as well dive in a big bowl of chicken soup
Gulp my way to health
Such patience the ears have under these circumstances to listen to
Whatever comes their way
Such is beauty. The word Beauty. Sound of the word Beauty. Whenever
It comes up it reminds me to remember
Can’t there be Beauty in the Future? Future Beauty? That’s why
Think of children
Playful multitude physically jumping, the actual chasing of the running,
It’s an activity
With no overtimes, except as you grow old fewer to chase more chasing you
That’s you back there, returned to child-state
Did you ever notice the slight curve of the parentheses
It’s like they want to become a circle
II. Preferably clarinet in A. = 168
On the Hey, would you look at that!
The marvelous climbing imagination ivy all
Over over and crawling on walls busily tearing down
All walls so we can have more room to dance the nice Jewish breakdancing
What fiery beast breathes the moment? Oy!
Where did that come from? Where doest it go? Dust? Hey
Would you look at that look at that one guy says to the other guy
There’s the ocean! What? It’s a red ocean! Please. The marriage of eye and ear
You talking poetry? As in, “It’s all
Poetry”? What are you, Musician ? It makes no
Sense. Surely we are beyond sense on this bench. You falling
Asleep over there? It’s not red. What? The ocean? It’s red. In your dreams
III. Preferably clarinet in A. = 160
OK everything is in its place and
everything is
going to take over one another’s place luckily
leaving a blank space right where it just was
for the one moving in good thing we do not
have a long term lease arrangement here as we
just keep moving to try to keep out of the way
and also simply to be moving moving all day
and that’s the birth of dance it follows the music
where is it going that is the word so it stays up
all night and it flies like nothing and it means
everything
________________________________________________
“They came with outstretched arms...”
They came with upraised arms Swinging
cases of booze & guns Rocking
chairs on a vast ferris wheel Detonating
poems like sex grenades Surfeiting
sweltering aromae Tufted
libidinous breath licks On-stage
antics brought to you by Surly
crowds’ chorus girl dissonance Frankly
my dear bang yr dead Ghost
angelic hover cunniling Prefer
TV to God-outside-skin Gotta
go look for some action
________________________________________________
Shaddap shaddap
Shut up shut up shut
No shit the sure shot
Pure thought -- iron hot
I’m not for censorship
But yr entitlement
Gives ya no right to wrong me diss me
Say ya wanna kiss me well this, see
Is Word War three
Put yr nose to the ground
Smell the sound?
The words are rooted, they’re growing
A new scent to get ya goin, bon mot-in
Why ya wanna creep the samo terrain
Inflict yr sex phantoms with the samo pain
Ya wanna love? naw, just wanna fuck
Suck yr buck with a truck -- tough luck, Chuck
Ya got a mouth aintcha
Whynt ya say something that’ll paintcha
With the colors of life, ripe the possibilities
Yr stuck in kindergarten witcha hostilities
When ya grab the stage witcha puerile rage
Yr deafening stupidity stinks yr own monkey cage
Shaddap shaddap
Shut up shut up shut
No shit the sure shot
Pure thought -- iron hot
I’m not for censorship
But yr entitlement
Gives ya no right to wrong me diss me
Say ya wanna kiss me well this, see
Is Word War Three
Imagine an Asian
Ragin
Comin’ to get yr privileged behind
like an obscene Marine --
you ain’t got the mind to mind
Cause those that dishes it out a-ight
I’m-a gonna take ya, ya fake ya! a-ight
Ya teenybopper wasteland -- the same way
You say -- like a mirror to yr soul
The hole that won’t be filled is yr mind I control
So brother when you use the form
It don’t mean conform to the norm
The hip to the hop of yr hipocritical thought
Keeps you from the real thing, the pleasure’s treasure
Cause I know it tongue ho it free flow the freak show it’s
The gossamer blossomer is so much awesomer
So I kick you out to the other side
Hop on my back take you for a ride
Show you the world in its pitiless misery
Rip the cover off yr infantile bourgeoisie
What yr playing with in yr art are lives ya see
Have some respect for yourself, Chef Boy Art Thee
________________________________________________
Light sun waves
The grass, a dry
Effect, a melting
So to speak, the way
It plays
Off the sill and
From the branches
Through them
Into what? Night?
The wind is nothing
A memory, the way
It plays over until
________________________________________________
What I Learned
Tonight at Urbana
Felice -- smile, ah
Noel -- arms stretch
Taylor -- dedication
Frank -- cool
Morris -- enjoy the slam
Yolanda -- ya gotta believe not
Sage -- let words hang & TALK THE MEANING through
Cristin -- every little bit is huge
Amanda -- fearless
Selina -- do not bow down
Beau -- thank you
________________________________________________
Past the suburbs of languor, your vagina
Laughs and my penis introduces self. There
Are many beds, I am told, but there's only one
With you in it, and here I am in it with you.
One raindrop from a dizzying height, that's what
Is falling straight for the boing of a daffodil
Blossom's kiss. Yumbo. Smack. Around you
There always seems space for me, my shadow
Precedes me, eases the way, cuts a form
I fill up exactly. Maybe go too far, say it
And it is, not like this is at all. Finding
Myself staring at me through your eyes, I think
Only I never think at all, how did this happen?
________________________________________________
This is where life happens!
Where? In Eritrea?
No!
Where? In Asmara?
No!
Then where does life happen?
Here! On the dance floor!
________________________________________________
It is all paper
Rock and the specific pacificity
Of the Pacific
Some ashes seal the moment
From a glued wood urn
Little shrine of emptiness
I am not mourning the obvious
I am loving you dearly departed
Bereaved dogs wander the beach trails
What are they looking for except the past
As if a sign were needed, Yield One Way Slow
The beach has always been here
Grains of sand caught on a rose petal
One by one is there any other way
Everyone climbs aboard death takes the tickets
Think about something else that’s the way
Beauty’s truth and the woman and the dog
Late for rolling scissors of bright laughter
Couple of seals bobbing in the tide
In the wine of night they’ll come in
And frolic on this beach ashes sharks
Finning about, all shot up with stars
________________________________________________
Rozhinkes mit Mandlen (Raisins with Almonds)
The sweetest tastes I ever did taste
Were the crumbs on your lips
The night we first kissed, my Love
How delightfully filling your tongue and lips,
Your sweet lips
Raisins and Almonds, lips teeth and tongue
Sweet face, sweet cake
The fires that bake they glow in me
The love you lit, the taste of love,
The desire that has led me to the life I lead
Oyfyn Pripetshik (At the Fireplace)
The flames are burning fully now I can rest,
The logs have caught and the warmth is easing into my fingers.
Now I can think, now I can dream,
Now I can remember. That’s the pleasure of the fireplace.