0/0/00

--milleNNial poem for KW

 

Nook Noow

No Ok On Wo

O Ok No Now

Nono Kow O

Onon Woko

Noon Owko

Known Ooo

Nok-o Now-o

Won O’Nook

Own O’Koon

Knooow No

O Non O Kow

Onko Owno

Nono Woko

Nkoo Nwoo

Woon Koon

Koon Woon

 

________________________________________________

 

3 Things I Learned About America:

What Makes Us Great, The Luck of the Bowery, I’m Outta Here!

  --Mike Turkel

 

1. The 6 pack. You want a beer? Hey, why not buy six! Brilliant.

 

2. Batteries Not Included. We’ll sell you something but it won’t work till you buy something else. Genius.

 

3. Some Assembly Required. So we’ll make it as far as it’s profitable, then we’ll let you take over. You buy it, and it’s not even made yet. Perfect.

 

________________________________________________ 

 

3rd Movement of the Quartet for the End of Time

“Abyss of the Birds”

 

One bird

Flies toward

            A window

One bird flies

            Overhead

Circling, lost

 

Two birds

            Their wings almost touching

                        Glide over the cemetery

           

A woman sits apart, her hands loosening handkerchief falling

 

A child wanders off and into the woods

 

An owl sits high in a fir tree and gazes over the treetops

 

The cluttering mutterers communicators set up camp in minds of lonely and compete in bicker whine

 

Where are the birds flying to? The Land of Birds, and the Land of No Birds

 

Keep climbing -- matter natter scatting thoughts wings dropping tiny bombs of meaning, meaning, non-meaning

 

An emptiness opens up

It is sweet and calm

 

                                                But it is empty  

                                                                             Where the birds once were

                                                            Where they once flew

 

Not enough air to give lift

The chest slowly rising and falling even

Poems, tombs

                                               

                                                Let me sing the song of no music

                                                            Of no birds

                                                Let me sing the song of the end of time

 

Opening sounds like emptiness opening

 

The memory of a bird flying towards a window

 

The memory of a bird circling, lost

 

The memory of two birds, their wings almost touching, gliding over the cemetery

 

The memory of music

 

________________________________________________

 

Be Fifty-two: A Pick-up

 

Number of weeks in a year

Number of cards in a deck

Two times the letters of the alphabet

 

________________________________________________

 

Bob Holman presents:

Apocalypse Eternity

 

Characters:

               God 

Child

Snake

Earth

Eternity

 

God:  In the beginning I was thinking of something

           Which rapidly disintegrated

Boy:   Hello

Snake: Pleasant evening (Yawns)

Earth: Happiness

Eternity: Which dances

 

(A wind, a train, the theater turns inside out, we are on a cold deserted hillside, wet and slick with rain. The grass smells so fresh it’s decadent. Our characters are happy (or not) as they go on, which may be repetition (or not). They do not know they are characters even. We watch them as if it were a play, but, you know, it’s not, probably, because the actors aren’t aware they are actors. All we can do is watch them and enjoy the show and wonder how we got here. And is that so different from what we do, anyway, every day?)

 

Us (in revelation!): Apocalypse Eternity!

 

(and, need I add?)

 

The End

 

________________________________________________

 

Can’t Cant

 

can’t     can’t

will       will

want     want

chill      chill

 

all         about

all         aboard

shout    out

word    “word”

 

tight      tight

light      light

fight      fight

might    might

 

wuss     wuss

puss     puss

muss     muss

fuss      fuss

 

see       see

pee       pee

me        me

free      free

 

more    more

pour     pour

poor     poor

war      war

 

clear     clear

here      here

where   where

there     there

 

trick     trick

click     clack

clack    clique

prick    prick

 

moo     moo

boo      hoo

coo      coo

you       you

 

plan      plan     

man      man

can       can

ban       ban


 

 

 

sue       sue

clue      clue

poo      poo     

who      who

 

might    might

cite       sight    

tight      tight

night     night

 

love      love     

prove   prove

move    move

groove  groove

 

trip       trap     

snip      snap    

zip        zap      

crap     crap

 

noun      noun  

ground   ground           

crown    crown

blown    blown

 

clap      clap

map      map     

nap       nap      

whap    whap

 

too       too      

choo     choo    

new      new     

dew      due

 

reap     reap    

keep     keep

leap      leap     

weep    weep

 

blue      blew

few       knew

zoo       zoo

true      true

 

tip        top

don’t    stop

clip       clop

chop     chop

 

 

 

 

 

chin      chin

grin       grin

friend    friend

when    when

 

please      please

bee’s       knees

wheeze    wheeze

please      please

 

cram     cram

blam     blam

clam     clam    

sham    sham

 

jokey    jokey   

hokey   hokey

poky    poky

okey     dokey

 

hey       hey

say       say

day       day

pray     pray

 

God     God

odd      odd

sod       sod

trod      trod

 

blip       blip      

hip        hip

whip     whip

yip        yip

 

party    party

hearty   hearty

tarty     tardy

smarty smarty

 

key       key

whee    whee

flee       flea

deedee  deedee

 

tiller      miller

filler      spiller

thriller chiller

driller    killer
 

 

 

whoopee who he

she be      crazy           

don’t see lazy

way be     baby

 

grow    grow

so         so

flow      flow

whoa    woe

 

mean    mean

seen     scene

zine      wean   

clean    sheen

 

hip        hop

non       stop

be        bop

tip        top

 

cloud    cloud

shroud  shroud

crowd  crowd

loud      loud

 

kin        ken

bin        been

tin         tin

when    when

 

how      how

chow    chow

cow      cow

wow     wow

 

move    move

prove   prove

strove   strove

love      love

 

mix up

picks up

stick up

dick up

 

4 who cares

3 be ware

2 stare stare

1 dare dare


 

 

fifty       fifty

nifty      nifty

thrifty thrifty

drifty    drifty

 

up        tighty

fight      fighty

fit         nicely

nice      tighty

 

neizentighta

innalighta

frightasighta

enlightenplighten

 

what     what

nut        nut

but       but

tut        tut

 

butter   batter

wassa   matter

chitter   chatter

blither blather

 

froth     moth

cloth     cloth

south    south

mouth   mouth

 

plight    plight

bright    bright

white    white   

blight    blight

 

flim       flam

jim        jam

shim     sham

bim       bam

 

keep     keep

steep    steep

sleep    sleep

seep     seep

 

try        try

my        my

why      why

cry       cry


 

 

plaster  caster

master  master

blaster  blaster

dizziz    disaster

 

tractor trailer

factor   failure

wailer whaler

nailer    sailor

 

macho muchie

feely touchy

mushy   mushy

hushy pushy

 

hasty    hasty

tasty     tasty

nasty    nasty

wastey  wastey

 

weave wove

dive      dove

drive     drove

move    move

 

alli        gator

later      later

tater     tater

alma     mater

 

crud     crude

blood   brood

mud      mould

Joe       Gould

 

tra        la

ta         ta

fa         fa

whoa    wawa

 

stew     stew

crew     crew

few       few      

knew    knew

 

repeat   conceit

retreat  beat

neat      wheat

heat      feet


 

 

train      train

rain       rain

pain      pain

gain      gain

 

pin        up

chin      up

wass     up

toss      up

 

come out    come out

all in            all in

shout pout in out

again           again

 

again    again   

again    again

again    again

begin    begin

 

aa         jj          kk

hh         ll           xx        

mm       nn         oo

bb        cc         dd

ee         gg         pp

tt          vv         zz

qq        uu         ww

rr          ss

ii           yy

 

bleed    bleed

lead      lead

need     need

seed     seed

 

freak    freak

bleak    bleak

tweek tweek

creek    creek

 

fun        fun

run       run

stun      stun

gun       gun

 

do        do

pew      pew

phew    phew

goo      goo

 

rock     roll

takes    toll

whole   whole

sole      soul

 

advise   advise

device  devise

entice   surmise

surprise surprise

 

mirage  mirage

garage  garage

triage    triage

rage      rage

 

chef      chief

grieve   grief

believe  belief

breath   breathe

 

wail      whale

sail       sale

tail        tale

fail        fail

 

be        be

me        me

key       key

zz         zz

 

does     does

was      was

fuzz      fuzz

cuz       cuz

 

ship      shape

trip       fate

wait      weight

keep     sake

 

fuck      fuck

cluck    cluck

muck    muck

luck      luck

 

gold      gold

cold      cold

told      told

fold      fold

 

flim       flam

tin         can

slim      slam

whim    wham

 

vout      vout

doubt   doubt

tout      tout

out       out

 

freeze   freeze

trees     trees

breeze  breeze

wheezewheeze

 

hot       hot

not       not

fought   fought

what     what

 

bought  bought

taught   taught

sought  sought

froughtfrought

 

you       you

who      who

few       few

new      new

 

who      knew

you       too

true      true

too       too

 

tu         tu

muu      muu

frou      frou

pooh    pooh

 

clock    clock

tick       tock

shock   rock

pruf      rock

 

kind      wind

find       find

mind     mind

wind     wind

 

goodnesssake

bake     cake

take      fake

wake    snake

 

hip        hip

hoo      ray

whip     whip

fray      fray

 

job       coalpan

throb    scrollban

rob       soulplan

Bob      Holman


________________________________________________ 

 

E591/2

 

 

Stop in the name of love! The Supremes, baby --

It’s 8:30am and I’m launching from bed, E. 13th

 

& the next record is Funky 4 + 1 you could set

Your alarm clock by me stereo having made vow

 

Always Rock In The Morning my shrink convinces

Me to not have my girlfriend move in we spend

 

60 nights in row sleeping in each other’s arms 6 months

Together then Libby dumps me and the next night

 

Turned away airport gate trying for free flight to Europe

(“My boyfriend is from Holland...Michigan”) she runs

 

Into the ocean doesn’t stop in the name of ocean but survives

& schizophrenic that‘s not right I’ll change it as tragic train

 

Why? Am? I? Here? flowers to bring in everymorning walk

The dog, and on my way home buy flowers. Put the paper

 

In the elevator for my wife to bring up, and it’s just spring

So today daffodils and daisies for my Daisy. The connection

 

As Jack Gelber would say, or Einstein and Tu Fu, is: Happy

Birthday, Elizabeth. You are 59 1/2 todsay and officially

 

Retired. Instead we will buy 308-310 Bowery and build

A poetry club. Go for it, in the name of love.

________________________________________________

From the Balcony of the Hotel Amboisera, Asmara, Eritrea, 5 AM

 

The cock fights the sun

The dog answers

A goat

Under everything

Soft gentle closer

Gold bell slowly

Chiming to ear

A bell melting

Soft mallet strikes

Thin shell perfected

Centuries ago, technique

Of fire in ground smelting

A deep smoldering rich fragrant

Making that we have forgotten

Except for one thing

The sound of the nearing bell

Rooster    Dog     Goat

Hear it, do not know what it is

But we do

 

________________________________________________

 

Griot

 

1.

someone does something

someone else tells about it

 

2

someone has a purpose

someone else draws attention

 

3

someone preaches

someone else rousts the crowd

 

4

someone does

someone tells

 

5

someone leads

someone tells the leader

everyone else follows the leader

 

6

the teller does not lead

the teller does not follow the leader

 

7

I was very excited when my children started middle school

that their first assignment was to trace their family tree

they had to talk to their relatives and give dates, they

drew lines and charted out the families with symbols, arranging

history, even adding footnotes or maps of faraway places.

meanwhile in Gambia, sulea sussa (el-hajj papa hasan) tells

the geneology of the tribe, the family with the person for

a thousand years back sung to the linking kora and the wind

which carries the words in the air we breath

 

8

if you name a child after yourself or parent

other people can use that name

but you must call that child “papa” or “mama”

to show the respect due to the person

you named the child “after”

 

9

mohammed always gave it all away

but he gave the griot the largerst share

because unless he gathered the crowd

there would be no crowd

 

10

the only way to make a poem

is to tell what happened

what is happenning now

 

11

the moment is the poem

 

12

the kora leads and the voice tells

 

13

the detail is the poem

he wears a gold bracelet every Thursday after he sleeps

with his second wife, gold bracelet that reflects

the empty spot where his eye-tooth was before his

first wife knocked it out

 

14

see the girl with the red dress on

I am in love with the woman next to her

that is my wife, my marriage, my life

mother of my children, she knows me better

than she knows herself, I know her better

than she does.  And there is no competition

spent all those years looking at her looking

at me

 

________________________________________________

 

Harry Potter Pokemon

                 -- for Rory Hanlon & Hugh Chuma Burckhardt

 

Once upon or, perhaps, Twice

Twice upon because the time it happened upon was First upon

And now, the time of telling upon:  Second upon

            But wait a second![JB1] 

Upon your retelling, will you begin,  Thrice upon?

As I proclaim straight ‘way in this Litigious Age disclaim,

Reassure for sure you have my ok to give away, in any way

Shape or form (beyond the norm), no permissions needed

For your Thrice upon Twice upon Once upon proceeded

May I get beyond upon repeated? To begin again upon

 

Like children --

(Because this poem is dedicated to children --)

The Children of the Future --

(But aren’t all children “Children of the Future”?

(Children come of age in the Future!)

Millennial Children of the Past

Because I have grown old or at least middle-aged, ruminating,

Waiting for Future

Waiting so long I am Past

And the children I am speaking of could be

And in some cases actually are my children

And thus they are the Children of the Past as well as the Future

 

Once upon a Twice

Twice upon a Thrice

2000 years upon a Paradise

 

Harry Potter Pokemon

Dreamt as child, but woke at dawn

To play  the game called sell and buy

Bill to parents, mystify

 

Capitalismo?

Gee, watta gizmo!

Gotta catch ‘em all

Trade a Taj Mahal for a Wailing Wall

Australian Crawl  to Carnegie Hall

 

Corner market Pikachu

Likitung and Raichu

By the sucking of my thumb

Come my Power Figures, Come!

I’ll send you off to Hogwarts School

And rearrange your molecule

Before breakfast! With a yawn!

I’m Harry Potter Pokemon

 

Ah, Boomers! demand your Peter Rabbit

Fight for Suess fix, “cat/hat” habit

Ban books and cards from the Library

Do not file under “Pokemon, Potter Harry”

Say I represent the Dark Side

What’s your trouble with the Dark Side?

Maybe I do represent the Dark Side

A boy of 10 -- tell me, where’s the Dark Side?

 

Sweet retreat from Columbine

Harry Potter Pokemine

And you see the kids my age

Devour my stories, page by page

Sure ‘nough pure stuff Can’t read enough

You dare rebuff? You blind! I call your bluff

Your Raichu evolved too fast

My Pikachu steady, ready, lasts

I ‘m Ash! Chief Pokemon Trainer

Auto-adults no-brainer

Jelly beans in every flavor --

Strawberry, curry, grass, sardine

Generation’s go-between

Let me say what I should scream

 

Kids dispassionate

Speak as they’re smashin it 

Provide closed-caption contraption you better lissen to

Zoom boom bloom  -- deja vu

 

Think brink -- the link -- the Truth, aloof

A step in several right directions -- Unburden your proof

 

pay yr dues -- show & prove

word is bond -- respond

pay yr dues -- show & prove

word is bond -- respond

 

 

Slouching pome whirls outta control

Too much to say for  plot to hold

Your Kubla Kahn’s my Infobahn

Your Babylon’s -- my Amazon.com

Your countdown is what I count on

I pass on your past is what I depend upon

Once twice thrice upon

Child of the Future wakes at Dawn

Harry Potter Pokemon

________________________________________________

 

How Kora Was Born

              -- as sung by Papa Susso to Bob Holman

 

This story begins long long long long ago

So long ago that it was a place not a time

There was a man

He was so alone

The only person he could talk to was Africa

Luckily there was a tree nearby

Even more luckily behind that tree

That’s where his partner was hiding

All the sun and all the water were condensed

Into a single tiny block

Which the man planted in the sandy soil

He blew and he blew on that spot

Each time he blew he thought he heard something

What he was hearing was of course his partner singing

The man didn’t even know what singing was

Because he could only talk

He couldn’t sing yet

So he blew and he listened, blew listened blew listened

And the plant pushed out dark green

And began to twist and grow

A vine reaching for the breath

And stretching towards the song

(Because it was made from sun and rain, remember?)

So at the end of the vine that was the calabash

And the tree it was not a tree anymore

It was the neck and handles

That was when the man’s partner Saba Kidane

Came out into the open (but that’s another story)

And the breath and the singing and the vine?

Well, there are 21 strings, what do you think?

And now you say what about the bridge and the cowhide

And the rings that tie the strings to the neck

So you can tune the kora

Hey, what about the thumbtacks that hold

The cowhide taut over the calabash

And the resonator hole

Well you go right on talking about all that

I’m playing kora now

Next time I’ll tell you about the cow

 

________________________________________________

 

Immediate Grat

 

Person in first row says to person in second row

How much longer is this interminable show

Person in second row says nothing perhaps dust blows

Off, long past odor, this corpse in the second row

 

________________________________________________


Internetting: An IM Play

 

Cheri:   hi

 Tom:   o my god it's you!

 Tom:   how are you doin

 Tom:   did you just get home?

 Cheri:  modem...

 Cheri:  fine, how was bxville?

 Tom:   did you just get home? 

 Tom:   bxvile was a total success, ty

 Cheri:  ty?

 Tom:   tanx you!

 Tom:   sd, do the intimite details of my dailiness truly intrigue you? not asked testily,

 Tom:   just curious

 Cheri:  they do, why?

 Tom:   it's an email thing

 Tom:   You've Got Mail opens soon, y'know

 Cheri:  its so funny that you call me h

 Cheri:  sounds like heroin and 

 Tom:   you: Meg Ryan, me: Tom Hanks

 Tom:   and?...

 Cheri:  and 

 Cheri:  and 

 Tom:   heroin and hope

 Cheri:  a little bit mean but you're allowed to be mean

 Tom:   heroin and hookahs

 Tom:   no, I mean,

 Cheri:  Meg Ryan Tom Hanks????

 Tom:   it's a long ways and so many details left out

 Tom:   it's curious

 Tom:   they are stars of Honey You've Got an email aka

 Tom:   You've Got Mail

 Tom:   Featured on aol

 Cheri:  you mean that remake of 

 Tom:   Times Sq

 Cheri:  I mean the sequel of that remake

 Cheri:  I FUCKING HATE MEG RYAN

 Cheri:  she s so wrong

 Tom:   did you know that Wm Honan came w/ me to Sarah Lawrence last nite

 Tom:   is Tom Hanks Mr Right, hmm?

 Cheri:  I didnt know that Wm Honan came with you to Sarah Lawrence but then again

 Tom:   heroin and halvah

 Cheri:  I dont know who or what Wm Honan & Sarah Lawrence are

 Tom:   heroin and hoopla

 Cheri:  so who are those ppl you spend your nights with???

 Cheri:  tell me B

 Cheri:  come on B

 Tom:   Sarah Lawrence: one of 7 Sisters, the female equiv of Ivy League

 Tom:   now of course almost all are integrated

 Cheri:  oh

 Tom:   The World's First Intercollegiate Poetry Slam

 Tom:   heroin and oh

 Cheri:  oh

 Tom:   in bxvl

 Tom:   where sl is

 Tom:   sl vs nyu vs bard

 Cheri:  who won?

 Tom:   Anne Waldman!

 Tom:   poetry won

 Tom:   a colleague

 Tom:   if I were yr boyfriend

 Cheri:  WOWOWOW

 Tom:   and you were my wife

 Cheri:  yes?

 Cheri:  curious

 Tom:   we would have dinner with yr colleague

 Tom:   Anne Waldman

Cheri:   nice?

 Tom:   who seems to think i'm rather coolio

Cheri:   what hard questions are there 2b asked on poslam?

 Tom:   is it important cultural moment really

 Tom:   where are the great poems

 Tom:   how does it differ from beats, besides marketing

 Tom:   can we go back to September,

 Tom:   or ahead to blank?

 Cheri:  why?

 Tom:   because the time in Canada 

Cheri:   OK: you hate the limbositutation

 Cheri:  understandably

 Tom:   it was limbo before

 Cheri:  so you want things closer or less close

 Cheri:  passive limbo

 Cheri:  now it's active limbo

 Cheri:  or some such

 Tom:   Perfect Title, may I steal (said he)

 Tom:   Active Limbo

 Tom:   It's active limbo because why….I must go take a pee

Can you  answer the question: how did it, do you have an idea, it would help 

 Cheri:  it changed cause you thought that I would be snatched away from the market soon while I needed you more

 Tom:   perfect

 Tom:   except

 Tom:   it gave me hope

 Tom:   and heroin

 Cheri:  hope for?

 Tom:   our living together

 Tom:   our love meshing life

 Tom:   sumpin like that

 Cheri:  I know

 Cheri:  you know I keep thinking about this

 Cheri:  obviously

Cheri:   and I saw a th. today

 Cheri:  # 3

 Tom:   one of the two?

 Cheri:  preview

 Tom:   a trailer of the movie blockbuster soon to be released

 Cheri:  lol

 Tom:   a romantic interlude starring MR and TH

 Cheri:  yeah I did some screenings before to determine the plot

 Tom:   I'll bet those were hot auditions

 Tom:   so reality set in slowly after the cruel sun set over the Hudson

 Cheri:  yeah the guinea-pigs liked it and apparently market-research does have its advantages 

 Cheri:  Banff

 Cheri:  Banff, baby.

 Tom:   Banff

 Tom:   baby

 Cheri:  good

Tom:    The cruel Banff

 Cheri:  Lake Louise please

 Tom:   The rough Banff

 Cheri:  Please Louise turn squirm

 Tom:   Scram damn Banff boof

 Cheri:  Louise freeze these 

 Cheri:  Assfuckin Banff!!

Tom:    Wait a second now

 Cheri:  lol

Tom:    kiss me now baby

 Cheri:  Banff is kaputt!

 Cheri:  kiss kiss

Tom:    before we drown

 Tom:   In the Brutal Louise! 

Cheri:   the case

 Cheri:  I know English grammar theory much better than Canadian

Cheri:   dont ask why

Tom:    i must go take a pee

 Cheri:  rotfl

 Tom:   will you wait?

 Cheri:  hokay

 Cheri:  piss piss

Cheri:   Pisses in the bushes in the trashbarrel

            pisses in the bed in heaven in the beerhall parlor

            maybe it’s a shit who gives a shit

 Tom:   he's back

 Cheri:  Tom pissed off the email

 Tom:   but the piss is long gone

 Tom:   in Lake Louise

 Cheri:  lol

 Cheri:  see this is why I'm reluctant to feed you Canadian words

 Tom:   poor Tom baby

 Cheri:  cause immediately you do some little wordplays in MY LANGUAGE damnit

 Tom:   would it be better if we were together

 Cheri:  better in what respect?

Tom:    what are you afraid of?

 Cheri:  oh now you talk like this th. i met today

 Tom:   ouch

 Cheri:  afraid. lose control, cannot stop things,

Tom:    that's what we've been talking about today, I thought

 Tom:   That there's no talk about our being together

Cheri:   things just went to a different orbit after your visit and now 

 Cheri:  we struggle to live with this

 Cheri:  and I can only imagine how hard this will be after our next meeting

 Cheri:  I'm really just scared please believe me

 Cheri:  it's not that I don’t want to see you

 Cheri:  if I was indifferent we might as well have some nice days

 Tom:   for me ( can I say that?)

Cheri:   You mean I'm too self-absorbed?

 Tom:   we have gone as far as we could go

 Tom:   very painful

 Tom:   terrifying

 Tom:   as far as we could go, or at least as far as I could,

 Tom:   w/out actually doing something

Tom:    having it be part of life

 Tom:   not a rupture

Cheri:   you sound cranky

Cheri:   i want to get to know all parts of you

 Cheri:  and you have ev. reason to be cranky of course

 Cheri:  and I'm getting on your nerves, I know

 Tom:   I think I'm too simplistic

 Tom:   will you help me?

 Cheri:  but that's OK

 Tom:   all true

 Tom:   let's start with this:

 Tom:   I love this

 Tom:   chattering away on im

 Cheri:  good start

 Tom:   words roil and disappear

 Tom:   etc

 Cheri:  but you want to see me and see me and see me and you cant see why I don’t want to see you

 Cheri:  cause you make so many accomodations, like you

Cheri:   YOU SHOULD BE CRANKY

 Tom:   what did you tell th. about what yr afraid of (don't have to answer)?

 Cheri:  I told her that I'm so afraid

 Cheri:  of

 Cheri:  that

 Cheri:  my

 Cheri:  uhm

 

Cheri:   father would CUP my breast again like he did when I was 5

 Cheri:  and my mother

 Cheri:  uhm

 Cheri:  would tell me again that I was lying

 Cheri:  no

 Cheri:  say lol

 Tom:   lol

 Cheri:  you are cranky

 Cheri:  you dont laugh at my jokes

 Cheri:  you hate me a little

 Cheri:  you think: why her goddamit

 Cheri:  I told th. that I was afraid of th.

 Tom:   I don't hate you

 Cheri:  a little you do

 Cheri:  that I was afraid that th. would force me to do things I couldn’t do

 Cheri:  that I hated the ethno-drums of other therapist

 Tom:   oy

 Cheri:  that I wasn’t sure what my problem is

 Cheri:  that if she ever said one bad thing about any man I liked I was going to stop th.

 Cheri:  and that I wasn’t even sure whether th. could help

 Cheri:  and then some anthropolgy stuff

 Cheri:  and she smiled

 Cheri:  and said: you're totally right. You should be careful.

 Tom:   She bought that?

 Cheri:  bought what?

 Tom:   what anthro stuff did you tell her?

 Cheri:  how th. wasn’t scientifically proven

 Tom:   is she smart enuff?

 Cheri:  how different things work in diff. cultures

 Cheri:  how afraid I am that if this aint working nothing will cause th. is the thing our culture chooses

 Cheri:  to help people out of diff. situations

 Cheri:    so I didnt want to diss th. I just want it to work

 Cheri:  She bought that?

Cheri: bought what?

 Tom:   SD?

 Cheri:  y

 Tom:   It's been very painful for me recently

 Cheri:  yes

 Tom:   I feel better today

 Tom:   This is a good talk

 Tom:   "talk"

 Cheri:  good

 Tom:   is it good for you?

 Cheri:  th > I have no idea how smart she is but she was smart enough not to corner me

 Cheri:  and not to make me feel like "unconsciously i didn’t want to do th." like this other woman said

 Cheri:  she took my concerns seriously

 Tom:   sounds good

 Cheri:  and said that I should stop seeing her when I felt uncomf.

 Tom:   v.g.

 Cheri:  and that she wouldnt think that this was something Freudian

 Tom:   no 5-yr old breast-cupping?

 Cheri:  (if I left) but just normal concerns

 Cheri:  no 5-yr old breast-cupping.

 Cheri:  so I said: really? really? you're just saying that aren’t you?

 Tom:   ......

 Cheri:  she said: no. We don’t know each other, it's difficult, maybe you won’t like what I say

 Cheri:  nothing complicated

 Cheri:  so I thought: 

 Tom:   ........

 Cheri:  she gives me the freedom to leave so I can stay

 Cheri:  she seems very down-to-earth

 Cheri:  funny, normal

 Tom:   downside?

 Cheri:  like she could look at life from a non-Freudian perspective

 Cheri:  downside: she didn’t say anything that blew me away

 Tom:   worth another visit

 Tom:   did you cry

 Cheri:  almost

 Cheri:  but then I saw a package full of Kleenex on the table

 Cheri:  and thought: nah

 Cheri:  NOT ME

 Tom:   atta girl

 Cheri:  atta?

 Tom:   i luvs ya kid

 Tom:   "That-a girl"

 Tom:   "That's the girl"

 Cheri:  did you cry?

 Tom:   first time back from the mountain I cried all hour

 Tom:   which is now 45 minutes

 Cheri:  oh no

 Tom:   oh yes

 Cheri:  poor lil thing

 Tom:   that's right

 Cheri:  how sad

 Cheri:  why?

 Tom:   I didn't want to leave you

 Tom:   this has been painful

 Cheri:  poor little baby 

 Cheri:  I'm so sorry

 Cheri:  really

 Tom:   yr so sweet to me, tootsy

 Cheri:  yeah but I make you cry  how shitty

 Tom:   you didn't kick me out, baby

 Tom:   or did you?

 Cheri:  thanks for reminding me

 Cheri:  I didn’t

 Cheri:  I think you like closeness more than me

 Tom:   I don't want that again

 Cheri:  what?

 Tom:   next time I'll be prepared for distance

 Cheri:  what? the French & Indian War?

Tom:    Bombs Over Baghdad

 Tom:   we can work together

 Tom:   and rule the world

 Cheri:  us!!! hahahaha!

 Cheri:  we couldn’t even find the keys to the apt

 Tom:   makin fun of me again I see

 Cheri:  no no!

 Tom:   must go go

 Cheri:  I'm as forgetful I always forget things

 Cheri:  don’t go go

 Tom:   may I come?

 Cheri:  please

 Tom:   you love it just like this, don't you, my tender heart?

 Cheri:  you have found me out

 Cheri:  I do 

 Tom:   prickly ongoing nowness

 Cheri:  partly cause I 'm handicapped

 Tom:   ccumm again?

 Cheri:  partly cause I wanna gain time for us to not do something wrong

 Cheri:  I like it like this cause I prefer longing to closness and b)

 Cheri:  cause I wanna gain time for us to not do something wrong

 Tom:   I breathe love in yr ear

 Tom:   yr right, I like the closeness

 Tom:   or, say,

 Tom:   the promise of closeness

 Cheri:  and you should like the closeness

 Tom:   like next month say

 Tom:   why?

 Cheri:  it's good 

 Tom:   and you?

 Cheri:  I like longing 

 Cheri:  I liked closeness with my old boyfriend

 Cheri:  the daily routines, the shopping & cooking 

 Cheri:  I really liked that

 Cheri:  but the fact that it would take a while, if ever, for us to have this

 Tom:   ?

 Cheri:  leads me to think that I like writing more than cooking & shopping

 Cheri:  but as I don’t want to fly around the world for all my life i want to change this

  Tom:  did you cry

 Cheri:  almost

 Cheri:  but then  I saw a package full of Kleenex on the table

 Cheri:  and thought: nah

 Cheri:  NOT ME

 Tom:   atta girl

 Cheri:  atta?

 Tom:   i luvs ya kid

 Cheri:  did you cry?

 Tom:   i cried all hour

 Tom:   which is now 45 minutes

 Cheri:  oh no

 Tom:   oh yes

Cheri:   yeah but i make you cry  how shitty

 Tom:   you didn't kick me out, baby

 Tom:   or did you?

 Cheri:  thanks for reminding me

 Cheri:  I didn’t

 Cheri:  and I think that you are like a cat

 Cheri:  who wants to do their cat-thing

 Cheri:  snuggle and that

 Cheri:  and you don’t want to fly around the world on your own

 Cheri:  which is a good thing

 Cheri:  and which is part of your appeal

 Cheri:  cause I want to eventually give up longdistance life

 Cheri:  but now you are a little cat

 Cheri:  and I am a handicapped performance poet

 Tom:   meow, baby

 Cheri:  who is into longing and writing

 Cheri:  see!

 Cheri:  I love you still lil cat

 Tom:   gotta go get my bitter pill

 Cheri:  the Zoloft?

 Tom:   is it Sunday yet?

 Tom:   nah, zoloft ain't bitter

 Tom:   from the Heartbreak Garage

 Tom:   where all the Brokenhearted poeple go to park their cars

 Tom:   ily

 Cheri:  cranky old man

 Cheri:  I love you too

 Tom:   naw, just a lil pussycat ready to snuggle 

 Cheri:  you really are a cat

 Tom:   bye bye all alone perfpo with sweet smile

 Cheri:  bye om

 Cheri:  ye tommo

 Cheri:    I love you 

 Tom:   thank you for being tender w/ me today

 Cheri:  sounds like I'm usually not

 Tom:   no, it's different somehow

 Tom:   do you feel it?

 Tom:   at all?

 Cheri:  mean

 Tom:   cornered

 Cheri:  I dont know from what it would be different

 Cheri:  I feel good about things

 Cheri:  I think we'll handle things OK

 Tom:   our situations aren't the same

 Cheri:  so?

 Tom:   that sounded angry

 Cheri:  not angry

 Tom:   SD?

 Cheri:  b

 Cheri:  yeah you have to go

 Tom:   how'd ya know?

 Cheri:  a reason to live with you to get enough of you for once

 Tom:   mindreader

 Cheri:  just blackmail me

 Tom:   bb baby

 Cheri:  b love


________________________________________________ 

 

Jazzes

     for Steve Cannon and Wynton Marsalis

 

In blue flat

 

sound sure don’t

hurt nobody body

blue in ear

you here

 

uh-oh blow low

stir’n’go

keys smoke breeze

weave slow slow

 

what’s he falling for for

can you feel it more more

under park gate

live bait won’t wait

 

mmistake in loving you

who’s business say I do

hafta go yes no

back bone calico

 

in a day

in a blue flat day

change the way

you gone away

 

what I say

you gone away

 

 

Very late night loisaida

 

conguero bop

bopboppa tam de tam

hey bass where you

running from to

 

mighty d snares it (you)

on the side of the wall oo

world’s smallest choir rockin time

world’s tiniest prison prism nickel dime

 

get out the tunnel

muy mucho avenida d

that’s it, escape artists paint black

turn music headlights off back on (you)

 

 

Brass so red it coppers

 

the truth’s truths

march down the aisle

up the mountain

sing swing swung

my friend swung bring

half turn one escape step

towards your lips my manuscript

tender tremolo flow

 

oooooooooooooooooooooooooooooooo

the way home follows you

oooooooooooooooooooooooooooooooo

 

Gone fishin

 

go on with it go head

we know what you’re up to

and it’s fine with us so

you just go on ahead with your bad self

we’re all ears for that shit

 

 

Groove whip

 

immediate backlash

keeps the pace in place

bleeds the sharp beat

 

cuts off that whiplash

that backlash smash light

the echoes echo way back in

 

the ball drops low horizon

cherokee knoll you don’t

know what love is to know

meaning blues’ blues meaning

 

 

No mistake loving you

 

love knows no mmistakes and forgives more

so sorry these blues for you

sad news wraps me up

suffocates me up

no, no mistake in loving you

 

 

Green chimney

 

first cook it

then toss it

then dry it

then fry it

then will it

then chill it

then beat it

then knead it

then stew it

then feed it

mm mm mm

 

 

Dis appearing

 

where the music go?

blow low the draining beat

keeps the spin on

the sound but not the yes no

not the yes tape clarity mistake no

ging gang gong

where was I going

I was so very very you

I was gone de gone too

 

 

Gotta end with some blues anyway encore

 

oughtta be oughtta be the way it oughtta be

only you speak language mountain

the heart, my manuscript, is not alone in desire

fire in the choir requires the chorus

sound bout town messes gone fishin

flagrant unflashy flawed and flawless

keep it comin like nobody’s business if I do

that tiny hat on a great big head

a mute lid and a tambour skid

whatever you say I say that’s the way keep it up

up and cover the unrequired

the transmission rock it roll it

keyed in the stall

parking in lieu I will bluntly

now shoot the leg of truth

and my dear my dear heartland

all of us the rest what he fell for

say no more

 

 

Coda tale

where was it that it took me takes me

leaves me back with it morning like

it never happened roll tremolo flow

keep the head valve working ocean tide

back where I am you still gone

who’s the one hears my song

keeps on keepin on

passes it along long

________________________________________________

Joe Gould’s Who’s Who

 

My Oral History is tremendously focused in a logical fashion. I’m writing everybody’s biography, including God’s.

 

I’m writing primarily for my own amusement, as I happen to be the only Joe Gould in this solar system. By this don’t mean to exclude the possibility that there probably are other systems full of Joe Goulds.

 

________________________________________________                      

 

The Last Two Lines

 

Reesom Haile says

The last two

lines of a poem

we call the Whip

Lash the Whip!

 

Or, in Tigrinya

Iti’ire,

the Bitter One

 

________________________________________________

 

My Parents

 

There were three

of them

Mom Dad Dad

 

They were young, they

didn’t raise me

 

The one I knew the least

did the most

 

It makes me think of love

I’m from Ohio

 

Once I told my mother

you married him (my

 

Stepfather) for his money!

(She didn’t want me to date

 

Judy Jeffries, white trash, other

side of the tracks)(my seventh

grade girlfriend)(I was a virgin till

 

the summer after my freshman

year in college) (Never say that!)

I’d take it back, she who did the

most could never leave nor protect

Cut! Rewind! Where

 

do the parents end and I begin my

Mother was the baritone sax player

in the Harlan (KY) Green Dragon

Marching Band they had to put the

horn on a little trolley it was as tall

 

as she was 5’2 Sally Ruth Lewis

Geller Holman Schoenbachler

married the only Jew in town as

has been well-documented I was

 

born Geller adopted Holman :

To My Parents

where would I be without you

space

blowing my nose through a flute

 

standing on my head do I think

at my age it is right my beard

turning white seeing you

through myself

with my daughters I want

 

must write great Italian Mama

poem, the Nuyorican Mamacita

the Jewish Ma the Mornbread Mamaw

Daddy

where have you gone all my daddies

washed to sea goodbye goodbye

my mother doesn’t live in a trailer

 

But she does live in Florida

married to a good man finally

who treats her right relates to me

as all my fathers with distance

and a lack of approval I will raise

myself from the lack of it hello

 

I will say to myself

hello hello to the parents

who will ever never know

________________________________________________
 

Nothing Falls Into Place

 

I never felt comfortable anywhere.

Nowhere but Arkansas.

The discomfort was a source of energy

for me, and still is. More than

a sense of antagonism. What can

I get from this?

            What can I learn?

                        What can I stomach?   

What can I take in?

            What can I not take in?

                                    What can I use?

 

Moving has always

                         been a stimulant.

By the time I’m adjusted,

                        I’m bored. Nothing

ever falls into place.

                        As soon as things fall

into place, you

                        dislodge something. I can’t

tolerate the comfort 

                        zone. It’s part of the discourse.

 

                                    (from an investigative poem, “CD Wright”)

 

________________________________________________

 

On the Way to Segenietti             

 

 

            How to Remember

middle desert   south Dekamhare

scrub cactus      red blossom cactus

hidden between road and rugged hill

tank rusting into landscape, fitting in

memory tree memory rock memory tank

 

               Segenietti Cowboy

10 head brahmin bull left

boy of ten with staff right

we’re on bus passing through

he stops, places right foot on mileage marker

leans back, nods

 

               How to Get Money

Fifteen women in white

gabeys by the roadside

Bouquet of flowers in one

hand & the other’s outstretched.

                                                           

________________________________________________

 

Over

 

She thought she'd solved

Him like a Problem

A book, an inscription, like a wisp

Of smoke casually crossing

The moon. He took the book, its wrapper

Falling off like a robe covering

The sea. Enchantment's double, she

could take it and disenchant, leave

Him as he stumbled back

Into his childhood. The way her breasts

Pushed out at him, forcing him back

Step by locked step, while his desire

Locked into her, a beam electric blue shower.

 

And when she was gone she was gone

She was gone all over, rocks and refrigerators

A cellist forever replacing string after string

In the jet hangar, down the supermarket aisles

In the terror of night she was so gone

A blanket shredded and wrapped, a mummy

Bound to itself with heat and a heart

That was the loudest thing, the alarm

Was set off she was gone the air tactile

He was a burn victim and sound was touch

 

What was it that made him finally

He was coming to, his senses were coordinating

His nose back on his face, good skin all over,

Tongue lushly filling the center of his mouth

A good drubbing, a processed word cranked

Over to the dry cleaners for some advice

And dry clean clothes. It wasn't till he forgot

The book that he remembered and how he got

Her back was he pressed his lips to her inscripting

The moon again, the sea slowing in mid-wave

Whatever it was she was there

Until he started to actually read it

Something she never thought to actually read it

And as he read she materialized, a poem is meaning

Something, meaning immediate, a plot she had thought

She'd already taught. She'd forgot. She gave it all away

Too many too often this time no backsies

 

Dressed up for dinner, ready to sweet

The phone begins to ring its passion dance

The story unspools, the phone cord wraps

Her arm a bracelet, her necklace, mask

A rug to roll around in. They were words

But they were set free. They invented a memory

So fulfilling her birth records evaporated,

Hate would have but didn't and love

To her this game was to stay but fractured

Like money you save and should have spent

It's like you give it away but you can't

You have to keep a copy of your love

On the disk at the printer to bind

O, sweet going to love him now

Love her now that they never met

A book at the library, nobody will

Ever check it out, music and a coat of arms

 

________________________________________________

 

phat! night for a reading

 

Like four heads from school came to

support a brother, I sold

four books, not too

many tongue slips or stutters,

read some new, old and older,

got love from 3/5ths of Universes

besides Willie.  It was a good night

for poetry, and I'm sure it was a

good night for family, too.

                                                Later,

                                                 John Rodriguez & Bob Holman

 

________________________________________________

picasso in barcelona

 

 

At Fourteen I Could Paint

 

At fourteen I could paint better

Than Leonardo Da Vinci

So after that I could dash

It off to prove I could

And then paint myself in

A motherfucking wig

 

 

Put Paint On Tongue

 

I’ll show you

My mother is the sea

She heaves under the white foam

 

 

Impressionists: Lautrec, Van Gogh

 

One quick look a study

I aint autoretrade, I’m bored

In it, of it - it’s a

View familiar...

That way Barcelona, I take on

Manet!

My park benches are better

Than your park benches

 

 

 

Look At Me

 

I look at people

I paint them

Looking at me

 

 

Valesquez Nailed

 

Sometime in the Fifties

I will do a whole series

“Las Meninas,” here I come!

At fifteen he pouts at me

Because I paint better

And soon I will lose my virginity

His kisses inspiring me to cum

 

 

Rembrandt  Coupe

 

In 1900 the future

Opened up its arms

I invented the car

And Rembrandt

 

 

Feeling The Paint

 

My friend Carlos, I loved you

You must have loved me, even

Though you didn’t know

And you died before you did

But I will keep your secret

 

 

El Greco Was Cool

 

He drew down

I draw up

Make it look down

Sit on a bench

Wait for time to catch up

 

 

Virgin No More

 

Here is a room and a man and a woman

I paint I paint a ghost

Josephina, kiss the paint

Try on the clothes of a woman

Try on red

 

 

 

The Decadent Poet

 

The decadent poet will write this poem of drawing crosses

Stay in a cemetery

Smoke pipe, drink decanted red wine

It is Carlos and Ramon

And Charles Baudelaire

 

 

My Father

 

My father was not my father

I was a joke for him

Let me tell you about

Love upside down above

 

 

Big Mama

 

My mother was of the large size

I could paint her holding me

Before I could hold a brush

And was famous

 

 

Book Cover

 

Take off your clothes

I will make a book cover

And put a photo of me on the back

To make sure it sells

 

 

Ser O No Ser

 

The young painter

Unconsciously sails

Off into the unknown

I am unconsciously drawing this

With charcoal that sticks to my fingers

Gets under my nails

 

 

Number Four, Four Cats Restaurant

 

They give me free lunch

Their food is bad

The coffee’s good

People can see my profile

And you People of the Future,

Look for my profile

On the menu I drew for

Los Quatro Gatos

 

 

 

La Chatte

 

She will become my blue period

Now she stands there unconcerned

Put in a cigarette.  There.

 

 

Embraceable Me

 

Arms around orange

And lines straight to the ground

You’d never know he has a hard on

 

Paris

 

Thus began my blue period

Every worm on the boulevard

Is in love with me

 

 

Man on a Mug

 

I am working hard now

On my signature

Also, the oysters and lemons

Signify my sex

The white shadow is what

I fear most

But will not admit it

Except to paint it

 

 

L’Amour Fou

 

I want Margot to know

The blood of my love

I hope I will not hope

When I eat her up

And her breasts will

 

 

Slight Curve

 

No one notices the Slight curve

Of Margot’s belly except the girl

It makes hot I will paint her next

 

 

Nakeder

 

Instanter

 

 

Getting It

 

Blue Ampersand Naked

 

 

Old

 

Blue naked ampersand old

 

 

Words for Guitar

 

You try this you try that

You can’t even read my handwriting

The song I sing you don’t know it

But my sensitive voice will

Lull you to love

Lull you

Lull you to love

 

 

The Crazy

 

I’m quite attracted to the crazies

I am one of you

My pen takes its own life

There are no others

 

 

Blue

 

Blown bit by bit to bits

Biting her vein one morning

While she slept the rooster

The terraces of Barcelona

Of course I know the red will

Seep will seep the sleep

But blue will blue to shape

 

 

The Same Guy

 

It’s impossible

The suave Sebastian

And the comic

They are both tragic

Only my eye can see

 

 

My Other Eye

 

With my other eye

I am looking at you

 

 

Inventing Cubism

 

I got it on with B

We invented C

 

 

Horses

 

By myself

I am a horse

Though what you see

Is a shape

Called man

 

 

Faux tendresse

 

I will invent quatroism too

I will invent sadness

I will go to sleep

Only after everybody else

No one but no one

Must ever see me dream

 

 

Big Grey Meninas

 

Every morning I wake up

Give myself a big kiss

And paint a masterpiece

Then I have a coffee

 

 

Who Is In The Mirror

 

I don’t know your name

But you could use a shave

 

 

El Perro

 

The dog is a white shape

Beneath the light in black

Going out the door

 

Dog white shape

Beneath light black

Going out the door

 

 

Can of Green

 

To much green

You can buy it at the store

I‘ll sell it to you

Please go now

 

 

Just Enough Green

 

Oh, you are back

 

 

Hold this Brush

 

My love

Will you

Hold this

Brush in

Your mouth

While I

Thrust the

Canvas up

And down

 

 

Thank You

 

Thank me

 

 

First Thing I Learned

 

The focal point

Is off center

But  I could never

Paint what I was

Not painting Valesquez

Nailed me

I creak meat on hook

Josephina!

You were so patient once!

 

 

Some Other Painting

 

Of course I will marry you

As soon as this one is finished

 

The Miracle of Triangles

 

Is they never wear out

 

 

Room Full of Blues

 

Room full of me

 

 

Get Back

 

Take the fucking teapot

And leave the fucking wine

And lie down naked on the red stone

And would you care for some wine

 

 

Study:  “The Wax Window Series”

 

It was then, at ten am, that it came to me: I began (or could begin) my wax window series.  A train whistle, a starter’s pistol, a crack of thunder and lightning, these are typical, so familiar and might I add boring, we should have sex first and then I will continue describing how my series, “The Wax Window Series,” came about.

 

 

More Than Anything the Church Has Turned Over

 

So much desire to be desired

I can finish it tomorrow

After I climb the steeple

And muffle the clanger

 

 

No More!

 

No. More.

 

 

These

 

These would look good

In the living room

Over the sofa

 

 

Studying the Ghost

 

I could get closer

But the paint sticks

To my nose

 

 

My Nose

 

Have I told you about my nose yet?

It is not, for example, in the center

Of my face.  In fact, it is not

On my face at all.

 

 

Sudden Lust

 

Here dance the flamenco

On a cork

And later that cork

Is all you will wear

 

 

First Paint the Cork

 

Then use the cork to paint with

Then paint with the cork

 

Then put your nose back on your face

See if I care

 

 

Running Towards Death

 

They call me genius

But I cannot confront Death

Don’t you know, my loves,

My sandals, my sail, my sad --

All I paint is Death

 

 

The Faceless Pianist

 

It’s the music, Stupid

And the dog

And the glasses on the guard

As they fog from the heat

Generated by her vagina’s reaction

To my kiss

 

 

Rock Bird

 

Bird lands on rock

Tower lit up sings up

Makes love with the bell

Peppers the minaret

The marriage of Death and God

 

 

Words Give Life

 

Names demand justice

Violins underwater

My sisters are the rocks

My eyes on the dance

Give Death my best regards

 

 

And Then?

 

I thought I’d jump you

Hello

 

 

A Little Rain

 

I felt a little rain

And the Fawn said,

“If the old gods could help me now,

I’d buy one of your paintings!”

 

 

Skull on Book

 

I’ll read the skull

I’ll fuck the book

 

 

Laughing Cum

 

Franco Fartface

My cum becomes a god

You worship

 

 

Frugal Meal

 

I’ll put my arms around you

My sweet

And tonight we’ll eat love

 

 

Don’t Talk!

 

Please don’t talk to each other

I am trying to draw you

Talking to each other!

 

 

Bull in Mind

 

I paint whatever

Runs me over, Lover

 

 

Smoke For Breakfast

 

What comes out

Must go in

Put it in a what

What do you put it in...

Put it in a ...

What comes out must come in

Put it in a

What

Put it in a  door and pull

 

 

I Know My Work

 

One hand under sex

One hand on the work

Brush brush brush

 

 

Moving Sand

 

Reverdy makes me cry

From joy jazz sea

And takes me far

To the Beach of Youth

Where my thoughts cram down

Like a sun

And as a last resort

A secret stream of sacred

Manliness

Covered in orange

You again ampersand again

I would make love to you

But I am

 

________________________________________________
 

Poets Laundromat Tape  (1977)

 

Didi Susn Dubbelyew

Michael Slater

David Herz

Yuki Hartman

Rose Lesniak

Bob Holman

Barb Barg

Eileen Myles

Sara Miles

Shelley Kraut

Gary Lenhart

Steve Levine

Simon Schuchat

Bob Rosenthal

 

Camera: Chassler

 

 

________________________________________________

The Room

 

I finished the book, I think I mentioned, and so I picked up the next book. I had been feeling in the long long book, which wound down perfectly to the beginning, as if it were part of other books by the same author. In all his books, see, I had had to look back at earlier passages, flip through the book till I found some fact or description that I couldn’t quite remember, or that I couldn't quite believe. but at the end of the longer book, I felt like looking back to other books, as if the books were interlocking.

 

When I opened the new book, I was not quite stunned to see that it began immediately after another book -- not the long one, but the one before that, and in fact was back in the same hotel. That would be a hotel I would like to stay in, I thought, and out of this desire came a series of questions.

 

If I were to show up at the hotel, and call you, what would your reaction be? This might be touchy ground here -- I assume that our love is real, and that it fits into your life as it surges around and dances with our love (to our love? like music?), but of course one of the hallmarks of our love is that if need be it will stay put and not interfere with the schedules and rigors and dailiness and requirements of our lives.

 

I remember when you came to N and stayed in Chinatown after you broke up with P. That was a wonderful visit, and that room with stuffed animals and a dog in the hall and naked in front of the refrigerator and tiny lunch in the garden -- well, you get the picture, and, as usual, I am happy to drift into the past, whereas you like to stay in the here and now. What I'm getting at is that you just showed up, and a while ago, when we had contemplated spending some time together, and then it didn't work out, you mentioned that you wished I'd just come over to B, and I certainly wished that.

 

Which bring me to the hotel. As you had a room where we could stay, I'm wondering if I could find such a room. This is like the Hotel I am reading about, and it seems to be the author's purpose to turn the desire for his lover into the desire for the place which would allow the lover's return, a place where love could be. Is this clear?

 

So another question would be, do you know this hotel? Murukami generally calls it the Dolphin Hotel, but it could be a room not in a hotel or a hotel with another name. All I know is that I hear you calling me, and I want to answer, but to do that I must find the room where love is not in the corner nor is it something to dance to but is the room itself. If you have any ideas -- or any idea what I'm talking about! -- I'd appreciate your sending me the phone number/address.

 

I have many other questions, primarily to do with time, but they must wait, as I am suddenly very tired.

 

A hotel, or room, then! I will go there now, and wait for you to tell me where it is. Don't worry about me, or think ill of me, or in any way be concerned about or for me. It is where I want to be.


________________________________________________

Sad Song

 

You can cry now

This is a sad song

Out the window

Over the miles

Look, it's your hometown!

This look is your return

Even though nobody's home.

Some return. Some river

With no boat.

Don't tell me about it.

Don't tell anyone.

 

________________________________________________
 

Sana’a

      --for Abdel Aziz al-Maqaleh

 

Through the mandhara of your eyes,

            dear Poet

I see each second of eternity pass, frame-

            by-frame, over Sana’a

A Shadow constantly seeking its Object

 

Through the mandhara of your eyes,

            dear Poet

I see the slow making of a City,

            the slow making of a life

 

Here in the dust cloud

            we call Life

Figures call from corners

“Turn this way!

            Turn that way!”

Turning the ground

            into the dust

We sift for memories

 

Through the mandhara of your eyes,

            dear Poet

The revolving figures freeze mid-

            dance, one leg off the ground

 

This is the Past

You are six years old

The name of the City is “Wonder”

 

You can return here if you wish,

            dear Poet

You can start the dancers up again,

            join them,

Leave us to watch you

 

Through the mandhara of your eyes,

            dear Poet

Through your six year-old’s eyes,

            we see Sana’a rise

 

A City slowly lifting, rising

            not to the sky

But to the word “sky”

 

Not beautiful but flashing

            like desert lightning

The word “beautiful”

 

Wee see the Past through the mandhara

            of your eyes,     dear Poet

 

Its name was “Sana’a”

Its name is “Sana’a”

The name of the poem,

            “Sana’a”

 


________________________________________________

Shredded Piece (Peace Poem)

 

There's No Big Message except hope you've had a good time while reading this

 

While somewhere the Great Novel is being shredded

I must stand up and say my piece

Or at least a piece of my piece "Shredded Peace"

 

I will never sit in that class again, a stone

Eating away at the heart of existence

 

Plenty of homeless people want to read my poems

They are lucky I stand at the newsstand

Cursing the politicians and making faces

 

Maybe all I'm saying is it's a real job

Being unemployed

 

________________________________________________

 

Sixty Candles

 

Sixty candles

Make a lovely light

But not as bright

As your eyes tonight

 

Sixty candles in my heart will glow

Forever and ever

For I love you so

                                The Crests

 

September 6, 1940, 7:40am

                        “as sun’s rays warm the earth, fog lifts a poppy

            pod bursts

                                    directly on the antipodal latitude that demarks Outer

                                                            Mongolia & Manchuria.”

 

You are born.

 

7” TV monitor, it’s on already, just walking

between the painting and the intercom, Darn,

missed the beginning! drawn in, looks like

 

Home video of Dorothy (your mother) holding Sophie

(your daughter) except Uncle Ray (your uncle, sort of)

is played by Lester (your father)(Daisy & Dakota behind camera)

 

Granmaw Means had the means but

Granmaw Murray was in a hurry

 

and the infant (2 weeks old) is played by you

hmm

might as well watch this program for a minute

ochre scarlet turquoise

orange lime indigo

sausage blips a tubular sea

float in time, these mouré lacustrine cities

 

Newscaster announces Betty’s appointment to movie theater

refreshmentcounter candyseller Bloomington Elizabeth hatchecker

Chicago it’s like somebody else has the zapper phone rings the zapper

here click clicks

 

Music of the party of the poem cannot be built but written played sure

you build it like a painting family life guess I see some of that

lit by cakes of many colors all the grandparental motifs Lisanne

baby due in February corner of 12th Street & White

and Moment of Oneness as sung by the great Dembelle griots of Burkina Faso:

 

A marriage two young people didn’t feel young at the time but looking at the photos now young is what I’d call em zap it’s yr birthday today

Forget to say happy birthday then zap back to baby sitting up as parents freeze zap child grows up as parents freeze it’s a pretty good trick they do it in post

a great special effects on the new paint software for your new computer

that your husband forgot to buy you for yr birthday

 

 

Sixty candles

In our hearts glow low

As long as Roz

Breathes with the golden bow

(Take it, Roz)

 

Ya ya the oral tradition is a way to give praise to someone without humiliating them totally

And now if I keep going on like this/ you'll have a first hand experience/ of why the oral tradition probably died out in the first place

Or maybe tonight we'll survive it revive it make it live it pass it on and  leave this party humming hmmhmmhhmm

Ooo I think we've now established the fact that tonight's a praise song for Elizabeth Murray

So I guess I can stop this singing that is if you call this singing though personally I just call it "Reading the Poem"

And Elizabeth never stopped me from reading my poems in fact she's always encouraged me perhaps to change after tonight which by the way takes the place of the Christmas Eve Party

 

Sixty candles

In my heart will glow

Forever and ever

For I love you so

 

Ok grand finale time let's dive into an Elizabeth Murray painting c'mon

C'mon! Dive in a cup! You dive first. Ok. I'll jump first dive head

First into swirl whirlpool I dive you paddle with one of those spoons

She does and we'll not escape (Chorus: no we'll not escape) (the call & response portion of the oral tradition) we'll not escape (Chorus: no we'll never escape) we drown in art

in an Elizabeth Murray painting, not a bad way to go, as the oral tradition makes

a comeback thanks to the poetry club I'm starting on the Bowery currently looking for investors to go in on Real Estate for Art New Model Capitalismo gee what a gizmo

if interested see me after party meanwhile we're all dippin in the cup kickin in

the cups (meanwhile kicking in the cups) we give praise Oh yes praise

hey ho I do love this griot job composing praise poems is as easy as saying Elizabeth Murray totally great artist Dr. Elizabeth Rose Murray we are drowning in your Art and handing over prizes doctorates presents awards flowers love balloons for what you give us is Incalculable and all we do in return is praise best we can humbly means

 

Every little piece of the big painting had been scraped back reworked fretted over and slashed turned over left alone scathed scorched beaten torched pacified fed perked up in a sexual way invigorated slapped around and left up all night to fend

She works like that opera where the orchestra is drunk and the conductor is running around crazily the ladder is not on fire it is fire and the painting is called

Love Bomb Tourniquet

I cannot imagine therefore I am Blip bliss times two

New not anything ever simplify ghost stutter

Flit flat damp dump Cezanne mercy

Tourniquet Bomb Love

called painting fire is it but on not is

a ladder round the world

 

Sixty candles in our heart will glow

Forever and ever

For we love you so


________________________________________________

Sometimes a Great Poem

 

IF ONLY I’d spent a little more time starting poetry record labels and a little less

Time playing pinball

If only if only

Wins the Worst Word Couple of the Year Award

IF bad enough, such regret there in a couple of letters

And ONLY, as in alone, lonely, sad sad sad

Another e.g.: BE + RATE, BE not bad by itself but completely sunk

With the addition of RATE, flagellate

To remember silence and a milk shake in the middle of the afternoon

Nobody writing the great poem about depression

Always The Depression

Sometimes it’s just depression

Poor everyone and our struggle with the beautiful night!

It is 5:30 as usual right before dawn where the w upside down damn

Below the CD of Apollinaire saying THIS so many times

I can go back to sleep and curate Peoples Poetry Gatherings in my dreams

Like uh sugerplums the IDEA of eating

Is better left an idea racing round the memory

Rosebush and name in concrete tears as the book ends

IF ONLY the poem had led the way instead of being the way!

And to you, my great fan, I leave my great air conditioner

Bill Knott’s bedroom in Chicago as opposed to Boston

As opposed to Paris a burial ground of coke cans and miserable aborted poetry

Only Coyote cackles at the so-called President

I just accept it shot full of unacknowledged rage and assassination by poem

My allergy’s back and you’re gonna be in trouble

Hey na hey na my allergy’s back

Sung to a kora, in bed with some man’s hairy back, this just after

They recalled the copper from the pennies and the steel

Wooden whistle in the Little Miami River’s banded water snake population

Early it is 5:36 in D’jma El F’naa, Marrakech the woman pulls bread from out

Her skirts and I’m harira gruel on my way to the drainpipe in Germany

Where the Canadian librarian sang No man’s an island with a woman in his arms

The day the day wasn’t and the stoop at 101 St Marks

This too is ottava rima, a play in verse, clobber me with possibility what

We did what we didn’t do,

If only if only

 


________________________________________________ 

 

Song for Two Koras

 

Now there are two koras uhn huh!

They are talking to each other singing saaaaaaame song

two parts one song 42 strings

 

You can hear the words even though no one is singing, Listen

            Two koras make a river

            Kora sound makes a river run ummmm

            On the boat the calabash boat the view is fantastic

            Float back to the river’s beginning uhhuh

Ok, now let’s start the story.

 

Ready?

 

Not ready to start the story but how about the song?

Not ready to start the song but how bout the float, the river, the boat?

first song sings for

The second and in singing for becomes the story oh

Sing for the second the other the third with ears, the partner

The moon, the river with ears moon reflected in water, Listen

 

Hey there for a minute it felt like

It felt like we weren’t making music

We weren’t playing it was music playing

Music was just playing itself

Music, it was making, it was making us

Making us up, can you imagine

Can you believe Can you imagine Listen

 

The clouds, they hold the rain you know

What surprises me is when we hear two koras

Maybe balafon and see clouds that hold rain

And then it is Dana who steps in!

 

Dana, Dana Bryant will never guess these are clouds loaded

Loaded up with rain the way the kora ahhh

The kora holds the music

The music ahh ahh holds the words yes yes

The words that make us up as we go along

Kora Boat River Cloud Rain

Papa Susso Sunkung and Alhassan

What more do you want

What more than two koras making rain

So we can get out of the rain without getting wet

Talking talking ahh ahh

Koras in conversation

Not about music just music

Not singing just walking

Walking on river floating flow

Listen that is singing now sing and flow

 


________________________________________________ 

 

 

Song of Africa’s Return to Africa

 

Never left...

 

                      [land land]

     ...my feet never left the land

 

Swim, Crocodile!

            Another story

[Oh, not that story again!

            [OK, the other]

                        OK, then another]

                                               

                                                (repeat)

                                                (Rock (Crocodile); Cell phone,(Crocodile))

________________________________________________
 

Stravinsky’s Three Pieces for Clarinet Solo

                      --for Michael Drapkin

 

 

 

I. Sempre piano e multo tranquillo. Preferably Clarinet in A.     = 52

 

Gotta start somewhere might as well dive in a big bowl of chicken soup

Gulp my way to health

 

Such patience the ears have under these circumstances to listen to

Whatever comes their way

 

Such is beauty.  The word Beauty. Sound of the word Beauty. Whenever        

It comes up it reminds me to remember

 

Can’t there be Beauty in the Future? Future Beauty? That’s why 

Think of children

 

Playful multitude physically jumping, the actual chasing of the running,

It’s an activity

 

With no overtimes, except as you grow old fewer to chase more chasing you

That’s you back there, returned to child-state

 

Did you ever notice the slight curve of the parentheses

It’s like they want to become a circle

 

 

 

 

II. Preferably clarinet in A.     = 168

 

On the Hey, would you look at that!

The marvelous climbing imagination ivy all

Over over and crawling on walls busily tearing down

All walls so we can have more room to dance the nice Jewish breakdancing

 

What fiery beast breathes the moment? Oy!

Where did that come from? Where doest it go? Dust? Hey

Would you look at that look at that one guy says to the other guy

There’s the ocean! What? It’s a red ocean! Please. The marriage of eye and ear

 

You talking poetry? As in, “It’s all

Poetry”? What are you, Musician ? It makes no

Sense. Surely we are beyond sense on this bench. You falling

Asleep over there? It’s not red. What? The ocean? It’s red. In your dreams

 

III. Preferably clarinet in A.    = 160

 

OK everything is in its place and everything is
going to take over one another’s place luckily
leaving a blank space right where it just was
for the one moving in good thing we do not
have a long term lease arrangement here as we
just keep moving to try to keep out of the way
and also simply to be moving moving all day
and that’s the birth of dance it follows the music
where is it going that is the word so it stays up
all night and it flies like nothing and it means
everything

 

________________________________________________
 

“They came with outstretched arms...”

                            -- for Stephen Crane

 

They came with upraised arms Swinging

cases of booze & guns Rocking

chairs on a vast ferris wheel Detonating

poems like sex grenades Surfeiting

 

sweltering aromae Tufted

libidinous breath licks On-stage

antics brought to you by Surly

crowds’ chorus girl dissonance Frankly

 

my dear bang yr dead Ghost

angelic hover cunniling Prefer

TV to God-outside-skin Gotta

go look for some action

 

________________________________________________

Two Tongues Rap

 

Shaddap shaddap

Shut up shut up shut

No shit the sure shot

Pure thought -- iron hot

 

I’m not for censorship

But yr entitlement

Gives ya no right to wrong me diss me

Say ya wanna kiss me well this, see

Is Word War three

 

Put yr nose to the ground

Smell the sound?

The words are rooted, they’re growing

A new scent to get ya goin, bon mot-in

Why ya wanna creep the samo terrain

Inflict yr sex phantoms with the samo pain

Ya wanna love? naw, just wanna fuck

Suck yr buck with a truck -- tough luck, Chuck

 

Ya got a mouth aintcha

Whynt ya say something that’ll paintcha

With the colors of life, ripe the possibilities

Yr stuck in kindergarten witcha hostilities

When ya grab the stage witcha puerile rage

Yr deafening stupidity  stinks yr own monkey cage

 

Shaddap shaddap

Shut up shut up shut

No shit the sure shot

Pure thought -- iron hot

 

I’m not for censorship

But yr entitlement

Gives ya no right to wrong me diss me

Say ya wanna kiss me well this, see

Is Word War Three

 

 

Imagine an Asian

Ragin

Comin’ to get yr privileged behind

like an obscene Marine --

you ain’t got the mind to mind

 

Cause those that dishes it out a-ight

I’m-a gonna take ya, ya fake ya! a-ight

Ya teenybopper wasteland -- the same way

You say  -- like a mirror to yr soul

The hole that won’t be filled is yr mind I control

 

So brother when you use the form

It don’t mean conform to the norm

The hip to the hop of yr hipocritical thought

Keeps you from the real thing, the pleasure’s treasure

Cause I know it tongue ho it free flow the freak show it’s

The gossamer blossomer is so much awesomer

 

So I kick you out to the other side

Hop on my back take you for a ride

Show you the world in its pitiless misery

Rip the cover off  yr infantile bourgeoisie

What yr playing with in yr art are lives ya see

Have some respect for yourself, Chef Boy Art Thee

 

________________________________________________
 

Wavering

 

Light sun waves

The grass, a dry

Effect, a melting

So to speak, the way

 

It plays

Off the sill and

From the branches

Through them

 

Into what? Night?

The wind is nothing

A memory, the way

It plays over until

 

________________________________________________           


What I Learned Tonight at Urbana

 

Felice -- smile, ah

 

            Noel -- arms stretch

 

Taylor -- dedication

 

            Frank -- cool

 

Morris -- enjoy the slam

 

            Yolanda -- ya gotta believe not

 

Sage -- let words hang & TALK THE MEANING through

 

            Cristin -- every little bit is huge

 

Amanda -- fearless

 

            Selina -- do not bow down

 

Beau -- thank you

 

________________________________________________

 

 

Where Do You Get Off?

 

Past the suburbs of languor, your vagina

Laughs and my penis introduces self. There

Are many beds, I am told, but there's only one

With you in it, and here I am in it with you.

One raindrop from a dizzying height, that's what

Is falling straight for the boing of a daffodil

Blossom's kiss. Yumbo. Smack. Around you

There always seems space for me, my shadow

Precedes me, eases the way, cuts a form

I fill up exactly. Maybe go too far, say it

And it is, not like this is at all. Finding

Myself staring at me through your eyes, I think

Only I never think at all, how did this happen?

 

________________________________________________

 

Where Life Happens

 

This is where life happens!

Where? In Eritrea?

No!

Where? In Asmara?

No!

Then where does life happen?

Here! On the dance floor!

 

________________________________________________
 

Written on Blue

           --for Kathy Ryan

 

It is all paper

Rock and the specific pacificity

Of the Pacific

Some ashes seal the moment

From a glued wood urn

Little shrine of emptiness

I am not mourning the obvious

I am loving you dearly departed

Bereaved dogs wander the beach trails

What are they looking for except the past

As if a sign were needed, Yield One Way Slow

The beach has always been here

Grains of sand caught on a rose petal

One by one is there any other way

Everyone climbs aboard death takes the tickets

Think about something else that’s the way

Beauty’s truth and the woman and the dog

Late for rolling scissors of bright laughter

Couple of seals bobbing in the tide

In the wine of night they’ll come in

And frolic on this beach ashes sharks

Finning about, all shot up with stars

 

________________________________________________

 

Yiddishe Songs

 

Rozhinkes mit Mandlen (Raisins with Almonds)

 

The sweetest tastes I ever did taste

Were the crumbs on your lips

The night we first kissed, my Love

How delightfully filling your tongue and lips,

Your sweet lips

 

Raisins and Almonds, lips teeth and tongue

Sweet face, sweet cake

The fires that bake they glow in me

The love you lit, the taste of love,

The desire that has led me to the life I lead

 

 

 

Oyfyn Pripetshik (At the Fireplace)

 

The flames are burning fully now I can rest,

The logs have caught and the warmth is easing into my fingers.

Now I can think, now I can dream,

Now I can remember. That’s the pleasure of the fireplace.